1 result for (book:ur2 AND session:737 AND stemmed:world)

UR2 Section 6: Session 737 February 17, 1975 3/119 (3%) house family Foster Borledim Sayre
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 737: A Further Discussion of the Families of Consciousness. House Hunting and Probabilities
– Session 737 February 17, 1975 9:26 P.M. Monday

[... 13 paragraphs ...]

These people (the Borledim) believe, then, in the natural goodness of sex, the body, and the family unit — however those attributes are understood in the physical society to which they belong. As a rule they possess an enchanting spontaneity, however, and all of their creative abilities go into the family group and the production of children. These are not rigid parents, though, blindly following conventions, but people who see family life as a fine living creative art, and children as masterpieces in flesh and blood. Far from devouring their offspring by an excess of overprotective care, they joyfully send their children out into the world, knowing that in their terms the masterpieces must complete themselves, and that they have helped with the underpainting.

[... 10 paragraphs ...]

(Pause at 10:24.) Many of the courtesans who ruled the salons of Europe belonged in the (Ilda) category, then. The Crusades4 involved great movement of this family, in which trade and commerce, and the exchange of political ideas, were far more important than the religious aspects. Some members of this family served as initiators of new orders in the (Catholic) church in the past — the worldly Jesuits, for example, and some of the more sophisticated popes5 (amused), who had a fine eye out for commerce and wealth. These people may be appreciators of fine art, but usually for its commercial value.

[... 24 paragraphs ...]

I suggested that you take it (but see my note in the material at next break). It would have been good for you both, but you were afraid of it, and your feelings had much to do with the contract being turned down (by the Veteran’s Administration). That house represented what each of you thought of as unbridled, undisciplined creativity. It was dirty and cluttered. The artist had children who ran about without any control. There was much playfulness there, however, that could have tempered some of your great mutual seriousness at the time. You did not choose to accept such a probability then, any more than you could have accepted my advice all the way. The authorities turned the contract down — but the authorities stood for the inner disciplinarians, and you did not want to share your road with the world; nor did you want, later, to share your driveway (for the Sayre house) with your neighbor.

[... 68 paragraphs ...]

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