1 result for (book:ur2 AND session:737 AND stemmed:thought)
[... 2 paragraphs ...]
(Now these notes hark back to the end of the 732nd session, when I wrote a paragraph concerning Sue Watkins, our longtime friend who attends class as often as she can these days from the small town where she now lives, some 35 miles north of Elmira. Jane listed Seth’s families of consciousness last month in Session 732, but wound up the evening’s work thinking that several years ago, soon after she’d initiated the Sumari breakthrough, Sue had psychically tuned in on the name of a second family of consciousness — one that Seth didn’t give in the 732nd session. Jane thought the family name was similar to the “Gramada” that Seth had described; at session’s end I wrote that I intended to check our records for the missing name, and to ask Seth about it — but I neglected to do either of those things. One of the reasons for my failure to settle the matter right away was the lack of any immediate pressure to do so, for we hadn’t seen Sue since before the 729th session was held; that’s over five weeks ago now; newspaper work has often kept her too busy to make the trip to Elmira.
[... 25 paragraphs ...]
(So far, Jane and I haven’t been able to find a home that we intuitively feel is the right one, although the place on Foster Avenue has intrigued us considerably since we first saw it on February 3. [Since then we’ve looked at many other houses.] Last Thursday afternoon [February 13], Jane was busy with her creative writing class so I went house hunting alone. Without feeling any great curiosity I checked out one place we’d seen before: the hill house. Once again I thought it wouldn’t do for us. Jane agreed when I asked her about it at the supper table.7
[... 2 paragraphs ...]
(Jane had declared before the session began tonight that she thought Seth would go into our house affairs in connection with probable realities, but that such material wouldn’t go with his book dictation on the families of consciousness. I facetiously replied that if the information didn’t fit into “Unknown” Reality we’d “force it to.” I was only half putting her on. Anything on our house hunting, I thought, would be welcome here because it would help unite these late sessions for “Unknown” Reality with some of its much earlier ones [in Volume 1, as it turned out]. It almost seemed as though we’d planned things this way.
[... 5 paragraphs ...]
The first (in Sayre), mentioned far earlier in “Unknown” Reality, you thought was definitely sold, and today you discovered that the sale was not that final.10 As you discussed these issues a rather important main point escaped your minds: The man who owned the first house (Mr. Markle) was a dealer in antiques and precious stones, utterly devoted to his work and engrossed in it, considering it his art. The house has a garden on one side, with high trees, and a yard on the other, and was relatively shielded. The man’s family took second place to some extent. The kitchen and dining areas were small. He had his office downstairs and he often worked at home. His art came first.11
The second house (on Foster Avenue in Elmira) was owned for years by the people who gave it its character. The large living room was so spacious just so that it could hold a grand piano. The man who owned the house thought of pianos as his art (he was in the business of selling them), and the living room was simply meant to set a piano off.
[... 3 paragraphs ...]
As mentioned much earlier, the real estate couple who showed you the first house, in Sayre (see Note 11), have definite artistic leanings. The woman particularly likes the house, and thought you would. She identified with your ideas of art and work, and saw a probable variation of herself happily ensconced in such surroundings.
[... 6 paragraphs ...]
I suggested that you take it (but see my note in the material at next break). It would have been good for you both, but you were afraid of it, and your feelings had much to do with the contract being turned down (by the Veteran’s Administration). That house represented what each of you thought of as unbridled, undisciplined creativity. It was dirty and cluttered. The artist had children who ran about without any control. There was much playfulness there, however, that could have tempered some of your great mutual seriousness at the time. You did not choose to accept such a probability then, any more than you could have accepted my advice all the way. The authorities turned the contract down — but the authorities stood for the inner disciplinarians, and you did not want to share your road with the world; nor did you want, later, to share your driveway (for the Sayre house) with your neighbor.
[... 17 paragraphs ...]
(“On second thought I’m afraid we’ll have to wait. …” I’d just realized how tired I was.)
[... 50 paragraphs ...]