1 result for (book:ur2 AND session:737 AND stemmed:situat)

UR2 Section 6: Session 737 February 17, 1975 3/119 (3%) house family Foster Borledim Sayre
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 737: A Further Discussion of the Families of Consciousness. House Hunting and Probabilities
– Session 737 February 17, 1975 9:26 P.M. Monday

[... 14 paragraphs ...]

[The Borledim] are the stock that so far has always seen to it that your species continues despite catastrophes, and they are more or less equally distributed about the planet and in all nationalities. They are most like the Sumari. They have the same love of the arts, the same general attitudes. They will usually seek fairly stable political situations in which to bear their children, as the Sumari will to produce their art. They demand a certain amount of freedom for their children, however, and while they are not political activists, like the Sumari their ideas often spring to prominence before large social changes, and help initiate them. The one big difference is that the Sumari deal primarily with creativity and the arts, and often subordinate family life (as Jane and I have done), while this family thinks of offspring in the terms of living art; everything else is subordinated to that “ideal.”

[... 14 paragraphs ...]

(The next day, Friday, Jane had an auditory “psychic” experience of sorts about the Foster Avenue situation; Saturday morning we made a formal offer to buy the house in question. For our own reasons we offered a low price, and it was promptly refused. The rejection didn’t completely close out our interest here — or Seth’s either — but it did help us put the whole matter in better perspective. Note 8 covers Jane’s inner experience and the details surrounding our house offer. [At 12:06 this evening Seth also refers to Jane’s auditory intuition.]

[... 22 paragraphs ...]

(11:43. I told Jane that, once heard, much of Seth’s material had the quality of being so obvious that we in turn seemed to be quite opaque not to have reached the same conclusions ourselves. After considering the alternatives Seth suggested immediately following last break I decided to leave his delivery in place in the session as a guide for the reader; parallels can be drawn with many other situations, I think having nothing to do with art or houses.

[... 65 paragraphs ...]

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