“Seth material” search engine (Jane Roberts)

(Before tonight’s session Jane told me that she felt the Grunaargh represented a variation of Seth’s Gramada family of consciousness. “But the important things are the family characteristics,” she said, “by whatever name. The similarities in the two names are legitimate, I think. There are also family combinations, and these will have their own names.” Then she reminded me that several times during the past week she’d felt that Borledim, the next family of consciousness on Seth’s list, is strongly concerned with parenthood and related roles.)

I suggested that you take it (but see my note in the material at next break). It would have been good for you both, but you were afraid of it, and your feelings had much to do with the contract being turned down (by the Veteran’s Administration). That house represented what each of you thought of as unbridled, undisciplined creativity. It was dirty and cluttered. The artist had children who ran about without any control. There was much playfulness there, however, that could have tempered some of your great mutual seriousness at the time. You did not choose to accept such a probability then, any more than you could have accepted my advice all the way. The authorities turned the contract down — but the authorities stood for the inner disciplinarians, and you did not want to share your road with the world; nor did you want, later, to share your driveway (for the Sayre house) with your neighbor.

The present owner, even, of the Foster house thinks of it as “work,” since she herself is a … working [real estate] person. Ruburt finds the rugs there out of place, however, because they do not fit in with his ideas of work areas. The owner, however, is quite proud of them. Her work in that respect is to decorate, and the rugs represent her idea of what belongs in the house.