“Seth material” search engine (Jane Roberts)

Now let us look at your real estate agents.

As mentioned much earlier, the real estate couple who showed you the first house, in Sayre (see Note 11), have definite artistic leanings. The woman particularly likes the house, and thought you would. She identified with your ideas of art and work, and saw a probable variation of herself happily ensconced in such surroundings.

Your second real estate lady (Debbie), leading you unerringly to the Foster Avenue house, did so for the same reasons. She paints as a hobby.¹² You did not consciously pick out real estate people who had artistic connections, but you were led to them and they to you. You recognized each other’s characteristics.

The present owner, even, of the Foster house thinks of it as “work,” since she herself is a … working [real estate] person. Ruburt finds the rugs there out of place, however, because they do not fit in with his ideas of work areas. The owner, however, is quite proud of them. Her work in that respect is to decorate, and the rugs represent her idea of what belongs in the house.

11. The Johnsons, the husband-and-wife real estate team who had taken us through Mr. Markle’s house in April 1974, gave us the objective information in this paragraph. I could verify those facts myself, and add a bit to them, for even 43 years later I remembered Mr. Markle and his family well. Prior to 1931, the Buttses and the Markles lived only a block apart; in Volume 1, see Note 2 for the 693rd session.

13. Here Seth touches upon several ramifications involving our house affairs that I’ve been saving to present all at once, if briefly. This note, then, will enlarge upon the fertile field of connections, or probabilities, that is enveloping Jane and me, the houses in Sayre and Elmira, the real estate agents we’ve been dealing with (the Johnsons and Debbie — who are not acquainted), and some other people.