“Seth material” search engine (Jane Roberts)

The Sumari often provide a cultural, spiritual, or artistic heritage for the species. This (Borledim) family provides a well-balanced earth stock — a heritage in terms of individuals. These people are kind, humorous, playful, filled with a lively compassion, but too wise for the “perverted” kind of compassion that breeds on other individuals’ weaknesses.

An artist expects his paintings to be good — or, if you will forgive a jingle: at least he should. These people expect their children to be well-balanced, healthy, spiritually keen, and so they are. You will find members of the Borledim family in almost any occupation, but the main consideration will be on the physical family unit.

As mentioned much earlier, the real estate couple who showed you the first house, in Sayre (see Note 11), have definite artistic leanings. The woman particularly likes the house, and thought you would. She identified with your ideas of art and work, and saw a probable variation of herself happily ensconced in such surroundings.

Your second real estate lady (Debbie), leading you unerringly to the Foster Avenue house, did so for the same reasons. She paints as a hobby.¹² You did not consciously pick out real estate people who had artistic connections, but you were led to them and they to you. You recognized each other’s characteristics.

Both houses, therefore, still exist in your practical present as probable acquisitions, because you have not dismissed them. Years ago (in 1964), you were interested in another house (also in Elmira); again, it had been owned by an artist. A coincidence? Hardly.

I suggested that you take it (but see my note in the material at next break). It would have been good for you both, but you were afraid of it, and your feelings had much to do with the contract being turned down (by the Veteran’s Administration). That house represented what each of you thought of as unbridled, undisciplined creativity. It was dirty and cluttered. The artist had children who ran about without any control. There was much playfulness there, however, that could have tempered some of your great mutual seriousness at the time. You did not choose to accept such a probability then, any more than you could have accepted my advice all the way. The authorities turned the contract down — but the authorities stood for the inner disciplinarians, and you did not want to share your road with the world; nor did you want, later, to share your driveway (for the Sayre house) with your neighbor.

To provide the cultural, spiritual, and artistic heritage for the species