“Seth material” search engine (Jane Roberts)

(The house that was for sale — and which we came to call the “hill house” — was empty and locked. There were other homes about, but each one had a feeling of privacy amid its thick insulation of trees. We rather casually surveyed the place in question from our car. At the time it didn’t “turn us on.” It bore no similarity to those in Sayre, or on Foster Avenue in Elmira. It was a ranch-style, cedar-sided dwelling that had just been painted a dark green — a conventional one-story affair with white shutters, a fireplace, a picture window, an attached double garage in back, and many trees and shrubs. Part of the front lawn was rather steeply banked, part of the curving flagstone walk was stepped as it rose up to the porch. The house faced the south; before it in the valley lay Elmira itself; almost hidden by trees; beyond the city the hills rose in tiers. Streets — without sidewalks — passed the hill house on but two sides, at the southwest corner, and each one dead-ended less than a block away. In back of the house to the north and east, woods rolled up the gentle curve of the hill and over its top.

To some extent they serve as physical models. The vitality of creaturehood is demonstrated through the beauty, speed, elegance, and performance of the body itself. To some extent these people are perfectionists, and in their activities there are always hints of “super” achievement, as if even physically the species tries to go beyond itself. The members of this family actually serve to point out the unrealized capacity of the flesh — even as, for example, great Sumari artists might give clues as to the artistic abilities inherent, but not used, in the species as a whole. The members of this group deal, then, in performance. They are physical doers. They are also lovers of beauty as it is corporally expressed.