“Seth material” search engine (Jane Roberts)

The first family that I mentioned (Gramada²), for example, specializes in organization. Sometimes its members follow immediately after a revolutionary social change. Their organizational tendencies are expressed in any area of life, however. They are behind art schools, for instance, though they may not be artists themselves. They may set up colleges, although they may or may not be scholars.

The next group (Sumafi) deals primarily with teaching. Again, the relationship with others is good, generally speaking. They may be gifted in any field, but their primary interest will be in passing on their knowledge or that of others. They are usually traditionalists, therefore, although they may be brilliant. In a way they are equally related to the family just mentioned (Gramada), and to the Sumari, for they stand between the organized system and the creative artist. They transmit “originality” without altering it, however, through the social structures.

In the Middle Ages they faithfully copied manuscripts. They are custodians in a way. Again, there are infinite variations. Many music or art teachers belong in that category, where the arts are taught with a love of excellence, a stress upon technique — into which the artist, who is often a Sumari (although not always, by any means) can put his or her creativity. Period.

Give us a moment … The next family (Tumold), in the order given, is primarily devoted to healing. This does not mean that these people may not be creative, or organizers, or teachers, but the primary slant of their consciousness will be directed to healing. You might find them as doctors and nurses, while not usually as hospital administrators. However, they may be psychics, social workers, psychologists, artists, or in the religions. They may work in flower shops. They may work on assembly lines, for that matter, but if so they will be healers by intent or temperament.

(A one-minute pause at 9:59.) Give us a moment … The healers might also appear as politicians, however, psychically healing the wounds of the nation. An artist of any kind, whose work is primarily meant to help, also belongs in this category. You will find some heads of state, and — particularly in the past — some members of royal families who also belong to this group.

To some extent they serve as physical models. The vitality of creaturehood is demonstrated through the beauty, speed, elegance, and performance of the body itself. To some extent these people are perfectionists, and in their activities there are always hints of “super” achievement, as if even physically the species tries to go beyond itself. The members of this family actually serve to point out the unrealized capacity of the flesh — even as, for example, great Sumari artists might give clues as to the artistic abilities inherent, but not used, in the species as a whole. The members of this group deal, then, in performance. They are physical doers. They are also lovers of beauty as it is corporally expressed.

(Long pause at 11:01.) Members of this (Zuli) family can often serve as models for the artist or the writer, but generally speaking they themselves transmit their energy through physical “arts” and performance. In your terms only, and historically speaking, they often appeared at the beginnings of civilizations, where direct physical bodily manipulation within the environment was of supreme importance. Then (underlined), normal physical reactions were simply faster than they are now (intently), even while normal body relaxation was deeper and more complete.