1 result for (book:ur2 AND session:715 AND stemmed:explor)
[... 24 paragraphs ...]
Clear understanding or effective exploration of the unknown reality can be achieved only when you are able to leave behind you many “facts” that you have accepted as criteria of experience. “Unknown” Reality is also written in such a way that it will, I hope, bring many of your cherished beliefs about existence into question. Then you will be able to look even at this existence with new eyes.
[... 15 paragraphs ...]
Ruburt and Joseph chose to specialize, so to speak, in precisely those excursions or explorations that are secondary to others. The focus of each of their consciousnesses therefore was made up of a certain kind of mixture that made such probabilities, in your terms, possible as prime incentives.
[... 2 paragraphs ...]
During these years, then, Ruburt’s position within his psyche has gradually shifted until he found a new, for him better, firmer point of basis. From this new framework he can more effectively handle different kinds of stimuli, and form these together to construct an understandable model of other realities. I will continue to speak from my own unique viewpoint, but in your terms Ruburt is one of you, and his explorations, taken from your perspective, can be most valuable.
[... 12 paragraphs ...]
3. In Dialogues, her book of poetry, Jane explored several other “key” episodes in her psychic development; see her Preface, then these selections in Part Two: “The Paper and Trips Through an Inner Garden,” and “Single-Double Worlds, the Rain Creature, and the Light.” She also wrote about those transcendent experiences in Adventures; see Chapter 9 for her “paper” perceptions (in March 1972), and Chapter 15 for her encounters with the rain creature and the light (in February 1973). Both Jane and Seth had things to say about the rain creature and the light in Personal Reality; see the 639th session for Chapter 10.
[... 3 paragraphs ...]
At least to some degree, Jane’s exploration last Friday afternoon of those super-real models for our world represented her use of the sixth inner sense — the same one, she wrote in Chapter 19 of The Seth Material, that “… also shows itself in inspirations, and episodes of spontaneous ‘knowing.’ Surely this sense was partially responsible for my Idea Construction manuscript.” In Volume 1, see Note 7 for Session 679.
[... 10 paragraphs ...]