1 result for (book:ur1 AND session:680 AND stemmed:privat)
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(In mentioning my “sportsman self,” Seth referred to information he’d given about three of my probable selves in a private session on January 30, 1974 — just a few days before starting “Unknown” Reality. The session contains many personal insights that I now recognize as being quite true. But even without Seth’s help, interesting results can flow from an awareness of the probable-self concept: The reader can begin to intuitively consider his or her own probable selves, or those of others who may be closely related psychically or physically. I’m not writing here about rationalizing the existence of one or more probable selves to account for personal shortcomings in this reality, however, but of simply using the idea to enlarge our basic notions of the human potential. See Note I for Session 679.
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Your father’s creativity, as mentioned [in earlier, unpublished sessions] had its side of secrecy, privacy and aloneness … you identified creatively with his private nature. The writing self became latent as the sportsman did, yet the writing self and the artist were closely bound. You felt conflicts at times. It never occurred to you that the two aspects could release one another — one illuminating the other — and both be fulfilled. Instead you saw them as basically conflicting. Time spent writing meant time not spent painting. You believed the painting self had to be protected … as you felt that your father had to protect his creative self in the household …
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