“Seth material” search engine (Jane Roberts)

(Jane’s pages are with her Aspects II manuscript at the moment, and may be incorporated in that book. She was still “groggy” when session time arrived, but decided to sit for it to see what happened. We were very curious.)

Now: give us a moment, and we will do this in our own way.

(9:57.) Give us a moment.... At one point Ruburt saw the ape still male, and then a portion of himself sitting at the library table, for in your position it is the animal instincts themselves that propel you to search for answers, to write books, to explore in your particular way. The ape was at home in the library, and his face was compassionate. Identification with the instinct brings compassion, and that compassion and wonder spark the creative instincts. Ruburt’s idea was still one of controlling those instincts and his “animal” abilities. On another level, because the ape was in the library, compassionate and understanding, Ruburt was seeing symbolically the force of his own physical nature, quite at home with itself, and at home in the psychic library of the mind.

(10:02.) Give us a moment.... In learning to trust the changes in his body occurring now, Ruburt is at the same time learning to trust his own instincts, and the creaturehood of himself. In your society that can be difficult, and he needed some connections. You are also quite correct, in that the ape also acted as an animal medicine man-woman (as in Personal Reality), symbolically acting out a part that once very well could have been performed in fact. Ruburt has been reading about shamans. Their connections with animals are little understood. In his own way however Ruburt began a shaman’s journey for himself, letting the psyche’s images become alive, and the inner workings of the mind made more obvious.

(10:17.) Give us a moment.... These represented the power of the body not being used, the animal instincts denied. The vitality. He identified with them perfectly however as himself, or versions. The woman’s was a more possible version of himself. The male figure however represented the fact that he believes that strong muscular motion is a male characteristic, and not one that he feels belongs to mentally oriented males. In this life he never sought tall, strongly developed, muscular, large-boned males out, but avoided them. He felt they would not understand his mental properties. Here indeed he saw a symbolic representation of Ruburt—not one that could be physically materialized with his bone structure as a woman, but a figure of idealistic physical proportions that also possessed great mental faculties to match.

(10:30.) Give us a moment.... The silver figure is the other end, the other pole, of the ape. If you will forgive the term, the spiritual guide, as ape was animal guide, for both are related, and both were compassionate. The spiritual guide was the doctor Ruburt heard in his sleep and immediately questioned, and he is quite valid. He is not just a symbol either, but represents a quite real psychic construct, alive in your terms but in a different reality, and connected in a way I cannot explain with Ruburt’s physical being, with the source of the flesh that physically composes him.

Give us a moment.... In terms perhaps difficult to describe the muscles run through the mind’s journeys, and speak out their own questions, even as the soul speaks out its questions through the flesh. Ruburt’s book is barely begun, or the experiences connected with it and in it. The body and the consciousness are learning to walk and function in a new way. The animal’s and the soul’s comprehension are one, and not alienated. Ruburt’s body is completely releasing itself, but it is of utmost importance that he go along with the process, and this experience was meant to provide the necessary connections between body and soul.

Give us a moment.