1 result for (book:tps3 AND heading:"delet session februari 19 1975" AND stemmed:work)

TPS3 Deleted Session February 19, 1975 7/73 (10%) Foster house hill privacy formality
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session February 19, 1975 9:27 PM Wednesday

[... 14 paragraphs ...]

There are points to be considered also in the Levine affair, for our bemused Dr. Levine would cut out all of nature, you think, if he had the chance, and as Ruburt said, sterilize the neighborhood. His response there was excellent for him, as you said. You both do need privacy for your work and because of your natures, but if you try to find a home with no dogs or children within miles, then in another way you are doing what Sam Levine is trying to do, only in your own way. To you, far more acceptable, of course, than his way.

[... 4 paragraphs ...]

Even you, however, will feel more secure with a place of your own than you would with the money drawing interest in the bank. It is a different kind of security. Your daily environment is very important to your work, and to Ruburt. The money in the bank is helpful, but if your daily environment is not conducive to your work and peace of mind, then the money security is meaningless. You will have plenty plus your house. An expensive house as such is not required. Your own ideas however of privacy and so forth in your society requires a certain amount of cash. There is nothing wrong for example with the south side. You also possess an esthetic sense, however. You require certain things of your art, and therefore you want the same things in your environment. Once you had it here, for all of your criticism. Now it is gone, and you are different.

[... 2 paragraphs ...]

In the Foster house you would find yourselves having to open the place up, and you would find triumphant joy when the windows worked. Ruburt would eventually alter the kitchen so that more light came in. That would be symbolic and practical.

[... 2 paragraphs ...]

That house has greater capacity in terms of adding on in the attic. It has its own formality. That formality, oddly enough, will encourage Ruburt’s spontaneity, for he would find it a challenge to work with the house and yet in counterpoint.

[... 3 paragraphs ...]

Give us a moment.... The hill house, again, has good aspects because of the location, the view and the proximity of nature. The dining area is better, as it is now. It would require little work.

Give us a moment.... The property also will rise, as I said the Foster property would. It is sunnier, obviously. You would definitely however end up tearing down a wall, and I believe that you might add another room, or want to possibly in the future, to one side. You would also end up enlarging some windows for your work areas. Ruburt would, incidentally, as he said, plop down at the largest window.

[... 23 paragraphs ...]

Give us a moment.... The aura about is as important to your painting as the ready-made workroom in the Foster house. The very air is inspiring, so that you will paint more there even if your work area is not immediately as good.

[... 17 paragraphs ...]

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