“Seth material” search engine (Jane Roberts)

Even you, however, will feel more secure with a place of your own than you would with the money drawing interest in the bank. It is a different kind of security. Your daily environment is very important to your work, and to Ruburt. The money in the bank is helpful, but if your daily environment is not conducive to your work and peace of mind, then the money security is meaningless. You will have plenty plus your house. An expensive house as such is not required. Your own ideas however of privacy and so forth in your society requires a certain amount of cash. There is nothing wrong for example with the south side. You also possess an esthetic sense, however. You require certain things of your art, and therefore you want the same things in your environment. Once you had it here, for all of your criticism. Now it is gone, and you are different.

Regardless of the money and your attitudes toward it, the residence would serve you as well as the other one, and money is far more than a commodity. Each house could well be made to suit your specific needs, and each reflects strong elements of your personalities.

You would end up eventually making a studio in the attic, which would cost you more money, which you would have to spend. In the summer there would indeed be annoying children’s voices that reminded you that others lived differently. Ruburt would end up ripping away part of the carpet—good expensive rug—and changing the rooms about. And you cannot put a money value on what you would get out of that house.

The Ambrose affair represents your ideas about money and the upper classes. The conflict between Easton and Ambrose is primarily of a social nature. Donna and Easton both feel in an inferior position in that regard. They have their backs up. The mores are entirely different. To some extent the conflicting ideas represent some of your own—hence your being in the middle.

Now Ruburt feels to some extent that a nice place is permissible if it is decadent. That had to do with Foster. There is no need to be ashamed of your money, or to fear there will not be more of it. You need an intimate give-and-take with the land. The hillside is not yours, yet it is your view. And it has strong evocative connections with your creative lives.