“Seth material” search engine (Jane Roberts)

More than that, however, as far as you are both personally concerned, you have a built-in sense of distance that gives the house actually an extra dimension of privacy that is not within the grounds themselves, yet adds to that aura. The house is set itself atop its own knoll, which to Ruburt at least gives a fortress feeling, in that he can look down and see who is coming.

In formal rooms you use informal decor. In informal rooms you would use a more formal decor. You do not understand your mixtures of order and spontaneity, formality and informality. You do not want to move into an overly friendly neighborhood. Others do. Those houses have not sold because of the very characteristics you found attractive—their relative aloofness, and their aura of apartness.

Give us a moment.... The people who have lived in the Foster Street house, and the hill house, have to some extent already conditioned the rest of the neighbors in a certain way. There are alliances and understandings in neighborhoods—signs for others to read. The little house on Cobbles East also has its own aura of privacy that no garage on the other side can disturb.

Give us a moment.... The aura about is as important to your painting as the ready-made workroom in the Foster house. The very air is inspiring, so that you will paint more there even if your work area is not immediately as good.