“Seth material” search engine (Jane Roberts)

This is difficult to put into words. There is no reason, again, why you can’t achieve out-of-body proficiency, and when you do, you will be able to experiment with thought creations, trying out, forming, using or discarding, thought paintings. In an out-of-body state you can reach rather easily those environments which thoughts become a sort of plastic pseudo material, almost instantaneously.

For your particular purposes you might imagine that you are walking through, or traveling through, one of your own paintings. Try to throw your consciousness into the environment you have painted. Observe particularly the colors that would be observable to you in many out-of-body states. There are gradations with which you are not familiar. They will inspire changes in your own palette.

He can explain these to you again so that you know what to expect. I will give you additional data on those environments that you visit, so that your experiences are paralleled by session discussions throughout the years. To fully develop yourselves psychically, such experiences are necessary. They will also serve as themes in your work and in Ruburt’s if they are carried through.

There are various kinds of environments that you should visit. You may be more naturally attracted to some over others, and we will deal with a fairly broad spectrum of experiences. Some of these will involve you in those planes of reality in which personalities more or less recently dead now survive.

You may visit your Miss Callahan, for example, as Ruburt has done. You may visit others now dead in those terms, with whom you were once acquainted. Generally speaking, such visits will involve you however with one main environment, so you could do that indefinitely, and we will want you to have more experience than that. (In Book 1, see Session 28 re Miss Callahan.)