“Seth material” search engine (Jane Roberts)

Occlusion (Jane looked at me questioningly concerning this word and I nodded) for Kennedy. Pressure on a frontal lobe. Perhaps a hole, or another hole drilled to relieve pressure. With all of this and his knowledge and acceptance of his role, and his choice of the role, there is still a tremendous will on other levels to survive within your system. And a chance for rally.

(Here Seth refers to a portrait I am working on without a model, of a bald man with rather young features. He is fully bald, and as I painted it I wondered why he was bald. See the 401st and 402nd sessions. Seth then gave the artist’s name as Van Elver, saying he was from Norway or Denmark and that he was giving Seth painting data to be passed along to me.)

(I called Jane’s name three times. She acknowledged faintly, without moving, but in five minutes her eyes were open. I had not touched her while calling her name, forgetting that this was the full procedure suggested by Seth in such instances. Jane wanted me to touch her, she now said, but was unable to tell me to.

(Jane said that she saw the scene with Van Elver, as she described it to me; including his self-portrait. Very colorful and strong.)