“Seth material” search engine (Jane Roberts)

It is easier then to sense and feel the alive energy within and beneath the physical forms that you see. It is easier to feel yourself as the artist, also a part of the landscape that you paint; to sense the merging of your own energy into the scene before you, and to realize that you are a part of it also. For you paint reality from within.

The form is caused by a characteristic condition of the energy at any given time. If you are intuitively aware of that miraculous neatness, if you allow yourself to be enveloped within that particular moment point, then the painting will form itself about you in somewhat the same manner that I am formed about Ruburt’s voice. But your painting of course will be more visible.

In itself an object should be then felt as its unique identity, and as a part of the whole universe. A stone or a flower is a very small thing. When you attach your attention say to a flower, it is not only a matter of imagining yourself as the flower, or trying to sense what a flower is. It is also to imagine the power of the energy that causes that flower to grow; and yet in a landscape you will have perhaps many flowers. They must each suggest the reality of the overall pulsating vitality that makes their appearance possible.