1 result for (book:tes8 AND session:401 AND stemmed:what AND stemmed:realiti)

TES8 Session 401 March 27, 1968 8/71 (11%) painting seascape transparents apple opaques
– The Early Sessions: Book 8 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 401 March 27, 1968 9:05 PM Wednesday

[... 6 paragraphs ...]

It is easier then to sense and feel the alive energy within and beneath the physical forms that you see. It is easier to feel yourself as the artist, also a part of the landscape that you paint; to sense the merging of your own energy into the scene before you, and to realize that you are a part of it also. For you paint reality from within.

[... 10 paragraphs ...]

Now in other ways it was also utilized by your old masters. The expansiveness then was also of a spiritual nature. Whatever objects were shown in the painting automatically presupposed the existence of spiritual realities, and other universes, though these presuppositions were highly ritualistic.

The meaning behind them was known to all. Each of the great masters’ paintings somehow suggest the existence of far greater realities, of which the paintings were a part. They saw the objects within their paintings as portions of a greater whole that was suggested by the painting.

[... 9 paragraphs ...]

In the smallest detail of the smallest still life they managed to suggest the reality of the spiritual universe, of which that detail was a part, and through which the energy of the universe spoke.

[... 4 paragraphs ...]

In itself an object should be then felt as its unique identity, and as a part of the whole universe. A stone or a flower is a very small thing. When you attach your attention say to a flower, it is not only a matter of imagining yourself as the flower, or trying to sense what a flower is. It is also to imagine the power of the energy that causes that flower to grow; and yet in a landscape you will have perhaps many flowers. They must each suggest the reality of the overall pulsating vitality that makes their appearance possible.

[... 21 paragraphs ...]

—but this is what you have been searching for in that regard.

[... 6 paragraphs ...]

(“Representing what?”)

[... 1 paragraph ...]

(At 10:22 I did so, and spoke to Jane again. Very slowly her eyes opened; they were very heavy and sleepy and the effort involved was apparent. I said it was the end of the session. When she finally began to talk Jane said this was the deepest trance, the “farthest out” she had ever been, bar no other time. Yet she still remembered some of what she had said, in a general way. She felt Seth had come through as specifically as possible for her at this time, and with great clearness. Jane felt the energy involved: “I had a sense of tremendous power going through me.”

[... 5 paragraphs ...]

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