“Seth material” search engine (Jane Roberts)

You should in any case whenever possible sketch outdoors, for you are personally renewed by such an encounter, And the implications are very different. When you are outdoors sketching there is before you a large expanse. It is easier to think in terms of size and expansion. Thoughts of expansion will help your work, so that the energy and vision are not imprisoned by form but are within form, even while in the process of change.

(“Yes.” I thought the material excellent.)

(I asked the question because of the long pause; I wanted to keep Seth on this track, and thought he might begin talking about another subject. Jane said she had visions of brown earth and clumps of grass while she gave the data. A little earlier, she now added, she had seen flashes of other paintings as she spoke about the old masters, but she didn’t know which paintings were involved by name.

(Jane said she was so passive at the end of the session that she couldn’t assert herself as she usually does; she thought that this assertion on her part helped Seth disengage at the end of a session. I thought this an excellent point, and one not previously mentioned in just such a way.)