1 result for (book:tes8 AND session:401 AND stemmed:stone)

TES8 Session 401 March 27, 1968 3/71 (4%) painting seascape transparents apple opaques
– The Early Sessions: Book 8 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 401 March 27, 1968 9:05 PM Wednesday

[... 11 paragraphs ...]

When you are sketching outdoors, as a helpful exercise I suggest the following: attach your focus of attention to one small thing. It may be a flower or a stone. Something however that catches your own eye. Imagine the energy within that object perpetual, but in terms of being endlessly alive and vital.

Pretend that the energy within that object is the center of life, so that the whole rest of the universe derives its energy within that stone or flower. Do this until you can feel that energy pulsate within the form of the object, so that the form itself is ever mobile while it retains the semblance, as in a stone, of immobility.

[... 20 paragraphs ...]

In itself an object should be then felt as its unique identity, and as a part of the whole universe. A stone or a flower is a very small thing. When you attach your attention say to a flower, it is not only a matter of imagining yourself as the flower, or trying to sense what a flower is. It is also to imagine the power of the energy that causes that flower to grow; and yet in a landscape you will have perhaps many flowers. They must each suggest the reality of the overall pulsating vitality that makes their appearance possible.

[... 36 paragraphs ...]

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