1 result for (book:tes8 AND session:401 AND stemmed:ruburt)

TES8 Session 401 March 27, 1968 6/71 (8%) painting seascape transparents apple opaques
– The Early Sessions: Book 8 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 401 March 27, 1968 9:05 PM Wednesday

[... 9 paragraphs ...]

The form is caused by a characteristic condition of the energy at any given time. If you are intuitively aware of that miraculous neatness, if you allow yourself to be enveloped within that particular moment point, then the painting will form itself about you in somewhat the same manner that I am formed about Ruburt’s voice. But your painting of course will be more visible.

[... 25 paragraphs ...]

You may do as you like, break or continue. Ruburt and I are fine.

[... 9 paragraphs ...]

Ruburt cannot deal with form you see, in painting. He does not understand form in those terms, and never has. You can use it beautifully, as the carrier through which energy flows, and at the same time remember that the form itself is also the energy, period.

[... 7 paragraphs ...]

(Humorously:) Ruburt does not want me to hurt your feelings with apples—

[... 4 paragraphs ...]

This has something to do with Ruburt’s difficulty in breaking the trance state. (Pause.) From someone else here… Your figures, to get the feeling of depth and breadth, this is not to get the feeling simply of the flesh and bone within the flesh, but to suggest the personal energy and vitality that is in a riot, to be loose within the flesh.

[... 4 paragraphs ...]

Having to do with him. (Pause, head down, hair disheveled.) Now as the clouds’ construction constantly changes—tonight you watched them (and sketched them after supper) so the forms of objects constantly change. (Pause, head down, hair disheveled. Eyes closed. Jane constantly rubbed her face and eyes with both hands.) We had better get Ruburt out of this for now, at least for a break. Touch his shoulder.

[... 6 paragraphs ...]

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