“Seth material” search engine (Jane Roberts)

The form is caused by a characteristic condition of the energy at any given time. If you are intuitively aware of that miraculous neatness, if you allow yourself to be enveloped within that particular moment point, then the painting will form itself about you in somewhat the same manner that I am formed about Ruburt’s voice. But your painting of course will be more visible.

Think of the energy as radiating outward from the object, giving life to all other things, whether or not many specific objects are to be in any given painting. This will result in paintings in which your chosen point of attention radiates through the form, illuminating all other objects in the painting, and psychically radiating outward from the painting.

Now one other small point. (Pause.)

(Jane sat in her rocker facing the living room wall upon which hung my oil portrait of Seth. She pointed to it now.)

(Now Jane, as Seth, pointed to an acrylic seascape that I had recently hung on the wall opposite Seth’s portrait. This I painted last year. After the seascape Seth inspected an oil of a tree that I had painted in 1960; this hung beyond the seascape, toward the front door.)

(Jane said she was so passive at the end of the session that she couldn’t assert herself as she usually does; she thought that this assertion on her part helped Seth disengage at the end of a session. I thought this an excellent point, and one not previously mentioned in just such a way.)