“Seth material” search engine (Jane Roberts)

You should in any case whenever possible sketch outdoors, for you are personally renewed by such an encounter, And the implications are very different. When you are outdoors sketching there is before you a large expanse. It is easier to think in terms of size and expansion. Thoughts of expansion will help your work, so that the energy and vision are not imprisoned by form but are within form, even while in the process of change.

Now again, much of this has to do with your own interest. Opaques are excellent to suggest a heavy or dark mood. In portraits, while the inner skeletal structure must be hinted at, and while the figure should be well done, still there should be the suggestion of the personality going beyond the image, and of the personality’s energy radiating outward.

This has something to do with Ruburt’s difficulty in breaking the trance state. (Pause.) From someone else here… Your figures, to get the feeling of depth and breadth, this is not to get the feeling simply of the flesh and bone within the flesh, but to suggest the personal energy and vitality that is in a riot, to be loose within the flesh.