“Seth material” search engine (Jane Roberts)

Ruburt cannot deal with form you see, in painting. He does not understand form in those terms, and never has. You can use it beautifully, as the carrier through which energy flows, and at the same time remember that the form itself is also the energy, period.

This is from an artist who always used siennas for initial flesh tones, with a suggestion very lightly of violets. Built up then cleverly with (pause) transparent ochre which he had, and a particular green, muted. The top complexion tone lay on this lightly, as if a wind could blow it away, and of course he suggests this. (Long pause.

(I asked the question because of the long pause; I wanted to keep Seth on this track, and thought he might begin talking about another subject. Jane said she had visions of brown earth and clumps of grass while she gave the data. A little earlier, she now added, she had seen flashes of other paintings as she spoke about the old masters, but she didn’t know which paintings were involved by name.

(Jane said Seth seemed to have a tremendous fount of information to draw upon as she gave the data tonight, as though he had gathered it together just for this session. Jane felt that either she or Seth, or both, were looking at paintings as she talked.