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TES8 Session 401 March 27, 1968 3/71 (4%) painting seascape transparents apple opaques
– The Early Sessions: Book 8 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 401 March 27, 1968 9:05 PM Wednesday

[... 12 paragraphs ...]

Pretend that the energy within that object is the center of life, so that the whole rest of the universe derives its energy within that stone or flower. Do this until you can feel that energy pulsate within the form of the object, so that the form itself is ever mobile while it retains the semblance, as in a stone, of immobility.

[... 14 paragraphs ...]

In a portrait, do the same exercise as given earlier. Imagine the individual as the center of all life, so that when the painting is completed it automatically suggests the whole universe of which the individual is part. Nothing exists in isolation, and this is the secret that the old masters knew so well.

[... 4 paragraphs ...]

Painting or sketching outdoors for a while will aid you considerably in your ability to sense this inner unity, to see each natural object in its individualistic momentary majesty, and yet to realize that it is in one way a center through which all energy moves.

[... 37 paragraphs ...]

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