am

1 result for (book:tes8 AND session:401 AND stemmed:am)

TES8 Session 401 March 27, 1968 5/71 (7%) painting seascape transparents apple opaques
– The Early Sessions: Book 8 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 401 March 27, 1968 9:05 PM Wednesday

[... 9 paragraphs ...]

The form is caused by a characteristic condition of the energy at any given time. If you are intuitively aware of that miraculous neatness, if you allow yourself to be enveloped within that particular moment point, then the painting will form itself about you in somewhat the same manner that I am formed about Ruburt’s voice. But your painting of course will be more visible.

[... 6 paragraphs ...]

(I am not an expert on Spanish art, but the above passage reminds me of Velazquez for some reason. Nor does Jane know Spanish art. For instance, she doesn’t particularly admire Spanish artists, or talk of any one or group of such artists, etc.)

[... 2 paragraphs ...]

Now the suggestion I have given you is the same sort of thing. There is no dependence upon agreed ritualistic symbol, however. The exercise itself will allow you to make the necessary transformation, where the one becomes all. Now this is the expansion of which I am speaking. It will cause immediate physical evocative reactions. Do you follow me here?

[... 37 paragraphs ...]

Now, some of my suggestions for you this evening come from better sources than I. For as you know I am no artist.

[... 3 paragraphs ...]

We are working on it. Van (pause) Elder. (Pause.) Dane or Norwegian, domestic scenes, 1700’s. (Pause.) Straggly grass scenes and small mounds of ground, brownish foregrounds. I am not sure, 1781, or 1881…

[... 8 paragraphs ...]

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