“Seth material” search engine (Jane Roberts)

(The session turned out to be one of the slowest I can recall. Jane began dictation on time and in a normal voice. She spoke very slowly and with many pauses. Again her glasses were off, her eyes dark as usual. Her pacing was also quite slow. A.J.’s letter lay on my writing table.)

(Now Jane lay the letter on the table and bent over it, studying it.)

(I was working at the time but we decided to take advantage of her mood. It was now dark outside. The night was windy and wet. We turned off the lights and sat at our table by the bay windows in the living room. Shadows were active; the room was rather well lighted by lights from passing traffic.

(First we concentrated on trying to move a small brass ring lying on the table between us, without success. At times the moving shadows gave us the illusion that the ring did move. Next we sat in our living area, away from the windows, and concentrated on our Kennedy rocker. It did not move. Jane asked for help in attempting this from anyone who might be present. She still felt quite strongly her mood of anticipation. Again, the changing shadows gave us the illusion that the rocker did move slightly at times.

(Nor was there this evening. Sarah and Malba were of course female. I believe the voice and the personality Jane used or displayed this evening was largely male. We sat on opposite sides of our coffee table. Jane’s back was to the light source and I could not see her features clearly. Her voice never became loud. Instead it acquired a very dry and light and hesitant quality. She used many ahs and ums and other such bridges, but I felt that these reflected the personality’s manner rather than Jane’s groping for the next word or phrase.