“Seth material” search engine (Jane Roberts)

When Ruburt attempts his paintings he tries to catch the inwardness before its moment of construction, with the form not yet fully in appearance, but between. It is for this reason that he has so much difficulty with his perspective.

He hints at the object, looking from the inside out. You do not see here a sort of partnership that applies to your relationship in general, the reason also for his technical inability in painting, and his technical ability in writing.

Allegorically speaking, from the inside he reaches outward, his hands full of inwardness, but it is you who form the inwardness. In the past you have been afraid of what you considered, but no longer consider, the chaos of inwardness. And he was afraid of what he considered the frozen nature of the inwardness, once formed.

(See the 54th session, May 18, 1964, Volume 2, page 91, etc. Seth deals with this fact to some extent as far as his relationship to Jane is concerned. Jane is not Seth now, he states, not his subconscious mind; nevertheless Jane’s entity Ruburt is, now, an extension and materialization of the Seth that he was at one time, centuries ago. See also the 63rd session for a brief mention of the same theme.)

The individuals continue to exist, and express themselves according to their development in other fields not connected with yours, when they are finished on your plane. No particular identity is ever lost. If so the whole process would be meaningless. And in other ways to lesser degrees, through abstract thought, through art of any kind, the physical human being, having been formed by consciousness, in his own way then working through and with matter, constructs other fields or planes of attraction, which according to their abilities expand.