“Seth material” search engine (Jane Roberts)

(The portrait is one of my “people” that I had painted without a model, which is my favorite way of doing people. Seth has said that I paint these portraits of unknowns because I have received telepathic data on them. At one time I had decided never to sell the portrait, but gradually changed my view on this in the light of my own feelings, along with Seth’s statements concerning my using my work to influence others. Yesterday I thought I had more understanding why Sonja wanted the painting, and so decided to sell it. I felt it might possibly remind her of a past life, or a past-life location. The painting was rather abstract, but hinted at a Middle East background, and the head was in a turban of sorts.

In your paintings, Joseph, you attempt to show the inwardness behind the completed physical construction, to hint at the endless nature of the inwardness which is imprisoned briefly in the outwardness.

Through the outwardness, beautifully constructed, you hint at the significance within, and you bring it out, actually through, the form. Ruburt shows the inwardness, trying to express itself in form, the coming together at the point just before the physical event.

He hints at the object, looking from the inside out. You do not see here a sort of partnership that applies to your relationship in general, the reason also for his technical inability in painting, and his technical ability in writing.