1 result for (book:tes3 AND session:108 AND stemmed:do)
[... 4 paragraphs ...]
(The portrait is one of my “people” that I had painted without a model, which is my favorite way of doing people. Seth has said that I paint these portraits of unknowns because I have received telepathic data on them. At one time I had decided never to sell the portrait, but gradually changed my view on this in the light of my own feelings, along with Seth’s statements concerning my using my work to influence others. Yesterday I thought I had more understanding why Sonja wanted the painting, and so decided to sell it. I felt it might possibly remind her of a past life, or a past-life location. The painting was rather abstract, but hinted at a Middle East background, and the head was in a turban of sorts.
(I did not know it at the time, but Jane would have preferred that I keep the painting. Truth to tell, we both missed it after Sonja left. However I have photographs of it and will now do another one similar to it. The results should be better since I am a better artist now.
[... 32 paragraphs ...]
He hints at the object, looking from the inside out. You do not see here a sort of partnership that applies to your relationship in general, the reason also for his technical inability in painting, and his technical ability in writing.
[... 16 paragraphs ...]
There is a communication possible between your universe and the universe of negative matter, but it does not involve the physical self. You are, in your present, confined to our imaginary fruit, yet to some extent you can know it much more thoroughly than you do, and its three layers can be understood to a much greater degree.
[... 10 paragraphs ...]
(As this material continues to expand, Jane and I realize more and more that indeed nothing is simple in explanation. For this reason we have curtailed our questions concerning a quick explanation on any subject that might interest us at the moment. Most of the time now we do not even ask.
(Both of us have kept strict records of our psychological time studies, for example, with the hope that Seth will eventually discuss them. The records have now piled up to such an extent, however, that we do not really understand how Seth can ever cover them, as he has promised to at various times, in very much detail. Even if he began a discussion of them they would still accumulate. The same problem arises with dreams, with material on the inner senses, etc. So we settle for what we can obtain each session. Actually the time set aside for gathering material is quite limited, yet it keeps us busy.
[... 18 paragraphs ...]