“Seth material” search engine (Jane Roberts)

In your physical field, and this limitation is important, in your physical field, truths are often caused by, or are the result of, expectations worked out. Therefore, if you believe for example that excellent artists must be poverty stricken, then this will be a part of your overall expectation framework; and for you it will indeed be, and exist as, a truth.

If another man, for example, does not believe that artistic talent of high degree cannot exist side by side with wealth, then your truth is not his truth, and he is not threatened by wealth, nor is his ability.

These are all practical aspects concerning the construction of inner data into physical matter, and no more practical information could be given to you. I would suggest, Joseph, that you received the early idea that a true artist could not be wealthy. You knew subconsciously that you were an artist. The moment that you consciously realized you were an artist, you ceased the attempt to make good money, fearing it would rob you of your ability.

As long as you believe this so will your expectations of reality become, in truth, reality. It goes without saying that if all of your energy goes into money making little will be left for painting, but this is a long stretch between this equation and the one that says that an artist must be poor.

Your talent is indeed excellent, and of the highest quality. Many artists have produced and received profit for their productions. There is certain work that you could do that could be compared to Ruburt’s science fiction; that is, commercial in that it brings in money, and yet expresses an intuitive and creative part of the personality and is not, as you say, hack work.

It did not you see before you realized that you were basically an artist, because then the two elements of talent and money were not in contact. You could have made a much less painful transition between complete commercialism and painting than you did, but here at a crucial moment was starry-eyed Ruburt, with his ideas of the poverty-stricken artist; and you can carry on from there.