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SS Part Two: Chapter 13: Session 556, October 26, 1970 6/37 (16%) anima animus characteristics sex aggressive
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 13: Reincarnation, Dreams, and the Hidden Male and Female Within the Self
– Session 556, October 26, 1970, 9:08 P.M. Monday

[... 6 paragraphs ...]

In dreams this reincarnational material is likewise cast into a dramatic mold very frequently. Beneath all this, the anima and the animus work together, again not opposites but blending characteristics. Together, of course, they represent the fount of creativity, psychically as well as physically.

The anima represents the necessary initial “inwardness,” the brooding, caring, intuitive, inside-turning characteristics, the inward focusing from which creativity comes.

The word “passive” is a poor one to describe the characteristics of the anima, in that it suggests a lack of motion, and this is hardly the case. It is true that the anima allows itself to be acted upon, but the motive behind this is the desire and the necessity to tune into other forces that are supremely powerful. The desire to be swept along, therefore, is as strong with the anima as the opposite desire for rest. The characteristics of the animus provide the aggressive thrust that returns the personality back outward into physical activities, triumphantly holding the products of creativity that the anima characteristics have secured.

The whole self is obviously the sum of these characteristics, and more. After the final incarnation, the physical, sexual type of creativity is simply no longer needed. You do not need to reproduce physically, in other words. In simple terms the whole self contains male and female characteristics, finely tuned together, blended so that true identity can then arise — for it cannot, when one group of characteristics must be emphasized over the other group, as it must be during your present physical existence.

[... 6 paragraphs ...]

(9:48.) The male yearns toward the anima because it represents to the deep unconscious those other characteristics of the whole self that, on the one hand, lie latent, and that, on the other hand, struggle for release. The tension between the two leads him to temper aggressiveness with creativity, or to use aggressiveness creatively.

[... 5 paragraphs ...]

(9:58.) Your reality exists in a particular area of activity in which aggressive qualities, thrusting-outward characteristics, are supremely necessary to prevent a falling back into the infinite possibilities from which you have only lately emerged. Yet from this unconscious bed of possibilities you derive your strength, your creativity, and the fragile yet powerful kind of individual consciousness that is your own.

[... 13 paragraphs ...]

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