“Seth material” search engine (Jane Roberts)

“Dreams and the Crucifixion, Creativity and Inspiration, Importance of Dream Recall”

The impact of any dream has physical, chemical, electromagnetic, psychological and psychic repercussions that are actual and continuing. The type of dream or the types of dreams experienced by any given individual are determined by many different factors. I am speaking now of the dream experience as it occurs and not of the remnant of it that his ego allows him to recall.

Your scientists would learn more about the nature of dreams if they would train themselves in dream recall. Again, the very attempt to deprive an individual of sleep will automatically set into mechanism subconscious dream activity. The tampering will then change the conditions. The direct experience of the developing dream is what you should be concerned with.

Using hypnosis, you can get good dream recall with a good operator. You can suggest ordinary sleep and dreaming and then suggest that without awakening, the subject give a verbal description of his dreams as he experiences them. … Another alternative is to suggest that the subject under hypnosis repeat the dreams of the night before.

While Seth was delivering this material we had embarked upon our own dream experiments. Later, in 1967, I started my ESP classes, and my students began their own work in dream recall and experimentation. As you will see, these led to dream manipulation and, in many instances to projection of consciousness from the dream state.

Though each person progresses differently, generally speaking, the more advanced dream work follows the earlier stages of simple recall, to more frequent self-knowledge within the dream state and from there to manipulation of dream images and projection. The following chapters deal, then, with our experiences with different kinds of dreams and their effect on daily life. Later chapters will be concerned with the expansion of consciousness that results from the earlier experiments.

Our interest in dreams spilled over into my own creative work also. The following poems were all written in 1964, when Rob and I first began our own experiments in dream recall and when Seth first started his sessions on the dream world.