1 result for (book:nome AND session:834 AND stemmed:work)
4/38 (11%)
mosaics
painting
shared
cults
paranoia
(After supper this evening Jane read some notes I’d written recently, in which I speculated about why I paint portraits — my “heads,” as I call them — out of my “imagination,” instead of using live models of “real people.” I’ve often wondered if at least some of my motivations for working this way have reincarnational or counterpart1 inspirations. I remarked tonight that it would be nice if Seth would discuss the subject, and Jane replied that she thought he’d do so.
(That statement, in fact, plus her desire for material from Seth on a question of her own, made her wonder whether we’d even receive any book dictation tonight. Then, no sooner had we sat for the session than Jane asked me to write down what she was about to say, since she had the material available whether or not Seth got to it: “A new part, or chapter heading: ‘People Who Are Afraid of Themselves. Controlled Environments, and Positive and Negative Mass Behavior.’” I told her I thought Seth would not only have plenty of time to cover our respective questions, but would come through with some book work too, and this was the case.
[... 12 paragraphs ...]
(“Well, I think I felt that way last week, when I was working on my latest head. That’s why I wrote those notes — but I didn’t take the time to discuss them with Jane.”)
[... 21 paragraphs ...]
2. Seth mentioned a “correspondence” among my dreams, painting, and writing because just lately I’ve been doing small oil paintings of a few of my more vivid dream images. I’ve discovered that this is great fun — and much more challenging than I’d anticipated, as I try to reduce the shifting, brilliant dream elements to the motionless painted surfaces we’re so used to in waking reality. Each little painting becomes a unique adventure both technically and emotionally, and I hardly succeed in solving every attempt I make. Now, futilely, I wonder why I didn’t try painting images from my dreams at a much earlier age; and why one so seldom hears about other artists doing the same thing. I don’t personally know any other artist working with dreams this way.
