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NoME Part Two: Chapter 5: Session 834, February 5, 1979 2/38 (5%) mosaics painting shared cults paranoia
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part Two: Framework 1 and Framework 2
– Chapter 5: The Mechanics of Experience
– Session 834, February 5, 1979 8:59 P.M. Monday

(After supper this evening Jane read some notes I’d written recently, in which I speculated about why I paint portraits — my “heads,” as I call them — out of my “imagination,” instead of using live models of “real people.” I’ve often wondered if at least some of my motivations for working this way have reincarnational or counterpart1 inspirations. I remarked tonight that it would be nice if Seth would discuss the subject, and Jane replied that she thought he’d do so.

[... 35 paragraphs ...]

2. Seth mentioned a “correspondence” among my dreams, painting, and writing because just lately I’ve been doing small oil paintings of a few of my more vivid dream images. I’ve discovered that this is great fun — and much more challenging than I’d anticipated, as I try to reduce the shifting, brilliant dream elements to the motionless painted surfaces we’re so used to in waking reality. Each little painting becomes a unique adventure both technically and emotionally, and I hardly succeed in solving every attempt I make. Now, futilely, I wonder why I didn’t try painting images from my dreams at a much earlier age; and why one so seldom hears about other artists doing the same thing. I don’t personally know any other artist working with dreams this way.

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