“Seth material” search engine (Jane Roberts)

In this book he comments on our religions, sciences, cults, and on our medical beliefs as well, with an uncompromising wisdom — as if — as if he represents some deep part of the human psyche that knows better, that has always known better — as if he speaks out not only with my voice but for many many other people — as if he represents the truths that we have allowed ourselves to forget.

In the past, when Seth told me to trust the spontaneous self, I said “Okay,” and imagined some hypothetical inner self somehow apart from my conscious intents. But when Seth kept repeating “Trust your impulses” in this book, I finally got the message through my head — and I’ve already had considerable physical improvement as a result. This distant-seeming inner self wasn’t so distant after all; “it” communicated through my impulses. In a way, impulses are the language of the psyche.

And what is my own part in all of this? I see it as harking back to the poet’s original role; to explore the reaches of his or her private psyche, pushing against usual psychological boundaries until they give, opening up a new mystical territory — the psyche of the people, of the species itself — perceiving a spectacular vision of inner reality that the poet then communicates to the people, translating that vision through words, rhythm, or songs.

This Introduction represents my only conscious contribution to this entire book, for example. But certainly as Seth often states, even the unconscious portions of our personalities are actually conscious. It’s all a matter of focus. Not that Seth is just another focus of mine, for it’s quite legitimate to say that I’m a focus of his consciousness in that same context; but that Seth represents that larger portion of the psyche from which our own kind of consciousness emerges. The point of all of this is the exploration of human consciousness, its ranges and scopes. How much does it change as it approaches other levels of actuality?