“Seth material” search engine (Jane Roberts)

A trance is a very private phenomenon. It represents a turning away of consciousness from ordinary reality toward an inner one. However private a trance may be, it must take place in a physical world of shared events. I am touched by those events and so are you; so even while I sit in trance, dictating books as Seth, I can’t after all stray too far from our joint reality. The chair I sit in as I speak for Seth is a product of modern manufacture. The glass of wine on the coffee table before me, the cigarettes, and the mass-produced table itself, are all reminders that my most adventuresome journeys into other realities are rooted, for now at least, in the physical world of events that we all share together.

The earliest poets were probably half shaman, half prophet, speaking for the forces of nature, for the “spirits” of the living and the dead, voicing their visions of man’s unity with the universe. They spoke their messages, sang their songs, chanted their visions aloud. And maybe that’s why Seth speaks, communicating first through words, rather than, say, through automatic writing. Seth’s books are first of all spoken productions. Perhaps the Seth sessions themselves harken back to some ancient time when we received much of our pertinent information about ourselves in just such a fashion: one of us journeying for the others into the “mass unconsciousness” — a journey that somehow altered and expanded the personality — and then communicating our visions as best we could.