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NoME Introduction by Jane Roberts 5/31 (16%) impulses ourselves disclosures Introduction our
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Introduction by Jane Roberts

[... 1 paragraph ...]

Robert F. Butts, my husband, sits on the couch across from me, taking verbatim notes of what I say as Seth, transcribing these “other-worldly” communications with a modern pen on good white bond paper. When I held ESP classes, Seth’s sessions were always taped, and just this week he “came through” as I was being recorded for a radio program to be aired later. So technology, with all of its implications, is never really too far away.

[... 12 paragraphs ...]

In the past, when Seth told me to trust the spontaneous self, I said “Okay,” and imagined some hypothetical inner self somehow apart from my conscious intents. But when Seth kept repeating “Trust your impulses” in this book, I finally got the message through my head — and I’ve already had considerable physical improvement as a result. This distant-seeming inner self wasn’t so distant after all; “it” communicated through my impulses. In a way, impulses are the language of the psyche.

[... 1 paragraph ...]

And what is my own part in all of this? I see it as harking back to the poet’s original role; to explore the reaches of his or her private psyche, pushing against usual psychological boundaries until they give, opening up a new mystical territory — the psyche of the people, of the species itself — perceiving a spectacular vision of inner reality that the poet then communicates to the people, translating that vision through words, rhythm, or songs.

The earliest poets were probably half shaman, half prophet, speaking for the forces of nature, for the “spirits” of the living and the dead, voicing their visions of man’s unity with the universe. They spoke their messages, sang their songs, chanted their visions aloud. And maybe that’s why Seth speaks, communicating first through words, rather than, say, through automatic writing. Seth’s books are first of all spoken productions. Perhaps the Seth sessions themselves harken back to some ancient time when we received much of our pertinent information about ourselves in just such a fashion: one of us journeying for the others into the “mass unconsciousness” — a journey that somehow altered and expanded the personality — and then communicating our visions as best we could.

[... 4 paragraphs ...]

But however we attempt to define Seth’s reality, I’m convinced of one thing by now: He is delivering to our conscious minds our deepest unconscious knowledge about ourselves, the world, the universe, and the source of Being Itself. Not that Seth claims any kind of omnipotence, because he doesn’t. His material, however, is clearly providing such translations of unconscious knowledge, and intuitive disclosures; disclosures, according to Seth, no more remarkable than those available in nature itself, but we have forgotten how to read nature’s messages; disclosures no more mysterious than those available in our own states of inspiration, but we’ve forgotten how to decipher those communications too. Instead, many people are even frightened of inspiration itself.

[... 7 paragraphs ...]

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