“Seth material” search engine (Jane Roberts)

I was curious as to how often such a “negative psychology” operated—when, simply because of his or her own hang-ups, an individual [or more than one person] is attracted to a site where strongly negative events had taken place. Surely this happens just as often as it does with positive situations. Later this afternoon Jane said she didn’t think she’d ever tuned into Mrs. Steffans’s depressions in that manner: “If I thought I had, or still was,” she said, “I’d move out.” We’d have to. I have no feeling that I’d been affected, either. Still, we found it strange indeed—unreal, even—to consider that a person so intimately connected with a place we love had killed herself.³

Cells, however, possess an inner knowledge of their own shapes, and of any other shapes in their immediate environment—this apart from the communication system mentioned earlier that operates on biological levels between all cells.

In highly complicated cellular structures like yourselves (pause), with your unique mental properties, you end up with a vital inborn sense of shape and form. The ability to draw is a natural outgrowth of this sensing of shape, this curiosity of form. On a quite unconscious level you possess a biological self-image that is quite different from the self that you see in a mirror. It is a knowledge of bodily form from the inside out, so to speak, composed of cellular shapes and organizations, operating at the maximum. The simple cell, again, has a curiosity about its environment, and on your much more advanced cellular level your own curiosity is unbounded. It is primarily felt as a curiosity about shapes: the urge to touch, to explore, to feel edges and smooth places.

I am familiar with the discussion. Ruburt has not been picking up on any of the woman’s past depressions. In a fashion you were attracted to the house, as I mentioned (in 1975), because of its contemporary nature, and the neighborhood—but also because it put you in a different position, in a different social context. And that was the context that Mrs. Steffans operated in in a different way.