“Seth material” search engine (Jane Roberts)

[...] When you are using intellectual methods alone you will necessarily fall short in any study of the dream reality. [...]

[...] Before long he will begin to navigate somehow alone.

It will be most difficult to convince others of the reality of other systems beside their own, yet none of this must be taken upon my say-so alone. [...]

You are not alone in this however. [...]

[...] Finally, the disparity between the time Seth-Jane had spent producing Volume 1 alone (around 45 hours), and my own commitment in ordinary time, became so great in my mind as to be almost overwhelming.

“As an artist alone your purpose is expression, which involves disclosures, the difference between the ideal and the actual. [...]

[...] The time format alone makes certain focuses clear, that in your terms could not be made in another context. [...]

[...] From the private session for January 30, 1974, which I quoted in Appendix 2: “Your father’s creativity … had its side of secrecy, privacy and aloneness … you identified creatively with his private nature. [...]

[...] Although it might be difficult for us to understand, let alone accept, the whole self or entity must regard all of its counterparts as sublime facets of itself — no matter whether they loved, suffered,⁵ hated, or killed each other or “outsiders.” [...]

[...] I’ll simply add that in religious terms alone Christ can be seen as androgynous, in that he’s obviously a symbol of the unification of opposites — whether of the conscious and the unconscious, the feminine and the masculine, this reality and others, the mystical and the “practical,” and so forth. [...]

Concerning Joseph’s point about sound; sound alone, entering the body, instantaneously changes it.

[...] It might free her enough so she could write poetry at night, say, when she’s alone.

[...] But he is not relying alone upon “his own” resources, but upon those great dimensions of energy that connect the soul and body—the silver guide and the ape.

[...] You put up barriers to protect the creative self from the exterior world, which you fear would destroy it, and from the interior world, for left alone the creative self might just slam paint upon a canvas without discipline, or might show more than we are willing to show. [...]

You can do this quite alone. [...]

When you let yourselves alone, you are spontaneously reasonable, but because of your beliefs it seems that reason and spontaneity make poor bedfellows.

[...] Your eyes do not exist alone in your head.”

[...] Fact alone could never do that.

[...] She’d enjoyed her nighttime hours alone, though.

Your father represented what you thought of as the secret, isolated creative self—more or less at odds with the world, unappreciated by it in family or financial terms; the alone, artistic self you thought unable to communicate, inarticulate and dumb, locked away from close communication with others, and indeed barraged by misunderstandings because of its very creativity—emotionally frozen, afraid to show itself.

(On the evening this session was held, for instance, I went to bed early, alone, and used the suggestions mentioned above by Seth re Dr. Pietra, without success.)

This exercise alone will open your perceptions, increase your awareness and automatically expand your appreciation of your own nature.

[...] Waking consciousness alone does not give you the creative state. [...]

(Intently:) Whether dispersed, concentrated in a tight grouping, appearing “alone” or flying through other larger swarms, that particular organization represents your identity.