Results 161 to 180 of 1305 for stemmed:two
(This session was held to obtains answers to two questions we had for Seth. [...] One question had to do with the oil showing two male heads which I painted in 1965. [...]
[...] One question: as I look at the painting, which of the two heads represents my whole self, for instance?”
[...] In reviewing test results on two items for Jane’s chapter on tests in her new book, we are pleasantly surprised to unearth several more excellent bits of information that we had overlooked earlier, etc...
[...] Its gone from 36 to 34 degrees according to the radio in the two hours I’ve been up—I’d think it was too warm to snow.
[...] to finish my book, start up a definite dream schedule, that is, two or three scheduled long naps plus suggestions as I used to do for various kinds of out-of-bodies and dream states; a session a week as of now with the dream work perhaps making up for the second session we don’t have; and painting. [...]
[...] “Two women perhaps and a man. [...] As stated on page 6, three people, two women and a man, were involved in the circumstances surrounding the creation of the poem used as object, on the evening of July 3,1966: Jane, Barbara and Dick. [...]
[...] The sheet was folded as indicated above, then enclosed between the usual two pieces of Bristol and inserted into the usual double envelopes. [...]
[...] Twelve, or one, two.
(Also on dreams, recently I have had two extraordinarily vivid dreams involving my brother in Rochester, whom we usually see about twice a year. Seth said during Friday’s unscheduled session that these two dreams are significant, and that tonight’s regular session would deal with them. [...]
(There were two female dancers at the discotheque, and Jane felt that “a connection with another person” referred to one of these, although she couldn’t say why. [...] Both of us liked the brunette the best, for whatever reason, and certainly she was the better dancer of the two.
Now, I told you that I would discuss two dreams in which you were interested. [...]
Two of the late arrivals are men, and one is a woman.
[...] It is indeed as if she were of two minds—one dwelling in one world and one in another. She has the laws of the two worlds confused (pause), and it is as if she had use of an entire alphabet, but the letters were not in order, but out of their proper arrangement, so that it was almost impossible to read the sentences, so to speak, that have then resulted. [...]
Now you have been good about exchanging ideas, the two of you, but not as spontaneous in the exchange of emotions. [...]
[...] This will prevent a two-or-three-or-more-day buildup.
[...] You will be killing two birds with one stone.
Again, your sessions should allow for the expression and discussion of fears, the giving of comfort and assurance, but not involve emphasis upon fears, as in the two days… You do not need to take notes here….
[...] Symbolically speaking, the two together represent the whole self with its diverse abilities, desires, and characteristics.
[...] The tension between the two leads him to temper aggressiveness with creativity, or to use aggressiveness creatively.
The two-sex division was adopted, separating and balancing these most necessary but seemingly opposing tendencies. [...]
[...] Your mother, if you have known her in the past, will find at your birth an upsurge of dreams involving other existences in which the two of you were together.
Frameworks 1 and 2 obviously represent not only different kinds of reality in normal terms, but two different kinds of consciousness. To make this discussion as simple as possible for now, at least, think of these two frameworks or states of consciousness as being connected by “undifferentiated areas” in which sleep, dreaming, and certain trance states have their activity. [...]
[...] That was some 18 months ago, but actually to one degree or another I’ve been involved with “Unknown” Reality for four years now; I think that temporarily I’ve simply grown tired and overly concerned about the whole project, even while I still have a considerable way to go to finish certain notes and appendixes for Volume 2. Not that I haven’t worked on a number of other things at the same time, of course — but my labors on those two books represent the prolonged, intense focus I always search for in my creative life, and without which I feel incomplete. [...]
[...] I will mention however two incidents in which the two of you showed success in the psychic manipulation of the world of matter.
(Just before the session was due, I mentioned two things I hoped Seth would discuss: his dates for Miss Callahan, and the car experiment on my part, described on page 302. [...]
[...] Two, sufficient emotional impetus must be discharged, and this will be on or from subconscious levels. [...]
[...] No matter what other challenges we had created for ourselves over the last two years and four months, the knowledge that Dreams was in process had served as a comforting foundation in our lives. [...]
[...] After that will come the job of typing the finished manuscript for this massive two-volume work; I do not know when I’ll have it ready for our publisher. [...]
In Note 1 for Session 939, in this Chapter 12, I quoted myself as telling Jane last December 1 that she hadn’t walked for “two weeks over a year now, I think it is. [...]
[...] Well over two and a half years ago, I wrote in the opening notes for that session that Jane had “some 17 chapters in fairly good shape for her third Seven novel, Oversoul Seven and the Museum of Time.” [...]
[...] This girl is perhaps five years younger than John and his wife; they know her only to say hello to. John said a younger woman lives but two houses away, also. Jane knew nothing of these two women, just as she knew nothing of the Wednesday incidents.)
[...] The object, sealed in the usual double envelope, was the insurance slip for the two manuscripts Jane mailed to her publisher on February 10,1966. [...]
[...] However, it is the only one that your psychologists would consider, and at least two other possible explanations exist. [...]
Two other people in the room, I believe a woman and a man, and another man has been present but is now out of the room. [...]
[...] Two people with different languages can speak together quite clearly in certain dreams, and understand each other perfectly. [...]
Underneath this, however, there are basic inner sounds upon which all language is based, in which certain images give forth their own sound, and the two together portray clear, precise meaning.2 A long time ago I said that language would be impossible were it not for its basis in telepathic communication3 — and that communication is built up of microscopic images and sounds. [...]
[...] In connection with the practice element that Seth gives below, plus the following two paragraphs of related information, I’d like the reader to refer to chapters 7 and 8 in Jane’s Adventures in Consciousness. [...]
[...] In those terms, if you are bilingual you are somewhat better off, for your thoughts have a choice of two paths. [...]
[...] I’m all too conscious of the great amount of physical time I’m spending on the two volumes of “Unknown” Reality; I often feel responsible for holding up publication of Volume 2 especially, since Seth finished dictating it almost exactly two years ago. [...]
[...] Our 16-year-old cat, Willy, died early in November, and two days later we obtained a kitten, Willy Two (or Billy, as we soon came to call him), from an area humane society. [...]
(We usually hold two “sessions,” or meetings with Seth each week, totaling three or four hours, but we think that actually Seth could talk 24 hours a day for the rest of our lives, and still not cover all of the material he’s capable of tuning in to for us. [...]
[...] The two of you — for you are both involved — have not only initiated a new framework from which you and others can view the nature of reality more clearly, but you also had to start from scratch, so to speak, to get the material, learn to trust it, and then to apply it to your own lives — even while ‘the facts were not all in yet.’ At no point did you have all of the material to draw upon, as for example, your readers do at any given point. [...]