“Seth material” search engine (Jane Roberts)

Each of you need two 5-minute periods a day, at least, in which you purposefully relax mental and physical tensions through whatever methods you choose. Two 10-minute periods would be excellent—if you will spare the time.

[...] She’s now walking again with the table, two or three times a day, and seemingly better each time. [...] She’s finished with Seven Two, etc., so I think these events have also helped initiate changes.

[...] Everyone agreed that it was much better than the first of the two, so that’s taken care of. [...]

[...] There are many gradations between the two that would suit him quite well. [...]

[...] The triangular design does not quite touch the postmark, but the two words just beneath it, Natural Color, do run into the postmark, uniting the two designs.

[...] I sealed it in the usual double envelopes after placing it between two pieces of Bristol.

[...] These are two faces of the same coin.

Impression of light-colored hair on two, and a similarity. [...]

[...] Ligaments are moving far more than, say, two weeks ago when the process began.

[...] Already, Paul O’Neill has loaned her two books on the history of dentistry....)

The hand faltered out of two reasons, for two reasons.

At the same time it makes you slightly angry, for you feel two things. One, that it is little enough; and two, because of your own envy of others who have more, that perhaps Ruburt means that you should have bought these things, while he means nothing of the sort.

[...] He would not have had to stay at the gallery but two months longer.

[...] Yet because you are an artist above all, you also punished yourself for your envy with the faltering hand, so that the hand expressed two needs.

My wife died in September 1984, and given her reincarnational relationship with Seth, as described by him, I strongly suspect that the two of them are together now. [...]

[...] The two volumes are to be published at the same time in 2001 by Rick Stack, the proprietor of New Awareness Network, Inc. [...]

[...] As the years passed after 1963 we acquired two sets of Seth material, then, one public, one private. [...]

[...] Then there’s Jane’s business and personal correspondence; much of her poetry; her journals; her unfinished autobiography; several novels she wrote before publishing the three Oversoul Seven books; the later essays she dictated to me, while in the hospital, about Seven’s childhood; her family history as far back as it can be researched; an objective biography of her physical and creative lives including her two marriages, and Jane’s and my struggles to survive before the advent of the Seth material. [...]

(I had two questions for our portion of the session, and we expected that Seth’s answers would be included in the Appendix of his book. [...]

(The second question: Did Seth intend to title Part One and Part Two of his book, as he had his chapters? [...]

[...] That was one life divided into two separate periods — literally a life divided in terms of interests, concentration of abilities, and life styles.

(At break I repeated my question about titles for Parts One and Two of Seth’s book. [...]

[...] I sandwiched this paper between two pieces of bristol board to prevent identification by touch, and slipped the assemblage into the usual two envelopes.

[...] Seth mentioned two or three people; the stamps depict a total of nine people, plus two hands on the special delivery stamp. [...]

[...] Two or three people, and some connection with water.

(The approach was a little different this evening, in that Jane had seen the envelope object perhaps two hours before the session. [...] I sealed it up in the usual double envelope, between two pieces of Bristol.

[...] Now this gives rise to what you may call mass-perception, with a hyphen between the two words.

[...] Four people in this photograph, parents and two children.

[...] A connection with this photograph, and a two-or-three-story house, a frame house with brick or stone stairs at the front.

[...] One or two poor test results frightened him. [...] The purpose however was two-fold again, the development of an environment in which controls would be there: the symptoms taking the place in this case of the mother’s restrictive presence, and the comparative isolation in the house, the comparative solitude that he felt was necessary then for the emergence of the creative abilities—both of these you see existing in the child environment.

Earlier this evening when you were speaking of the weekend he mentioned two days, and you said Sunday. He interpreted this to mean that you did not think he had the freedom to travel as far as a two-day trip.

[...] He determined to discipline himself much more carefully from then on, but from this point he threw himself wholeheartedly, for two lives, into lives of great restraint and overcontrol.

[...] The remarks are again harmless ones, usually a line or two of pointless conversation, chatter meant to cover up a thought that has briefly come into consciousness, and been repressed.

[...] He gave us the names and addresses of two drug houses that he learned about in Minneapolis. [...]

[...] I enclosed the card between two pieces of Bristol, then inserted the whole into the usual double envelopes.

[...] I remarked that it was going to be a busy session, what with the material on the Gallaghers and Dr. Instream, a possible envelope test, and the chance that Seth might discuss two very long, vivid, and complicated dreams Jane had while taking a short nap last Friday morning. [...]

[...] It came upon me abruptly at about 8:45, while Jane was reading to me her account of the two dreams in question. [...]

1. For more extensive material on Seth Two, see Chapter Seventeen of The Seth Material, and Chapter Twenty-two of Seth Speaks. In the latter Seth tells us: “Seth Two stands relatively in the same position to me as I stand to the woman [Jane] through whom I am now speaking.”

Suddenly, I notice that Jane is slightly heavier, and her blouse which is partially unbuttoned, reveals two rather ample breasts. [...]

The two of them don’t answer me. [...]

[...] ‘She has two books out and is now on a third.’ I looked around at the disarray, and the unframed paintings that are stacked about. [...]

[...] With a last look at the two of them, sitting together on the edge of so much, I wake up fully and alert, sitting up in bed.

(It will be remembered that on two past occasions Seth has taken credit for making a candle flame grow noticeably in height. [...]

[...] The increase in the flame’s height had not been as sudden and dramatic as in the two previous instances noted on page 117. [...]

Two candlesticks. [...]

Two people at a table with straight chairs.

[...] A nice old man, sort of a kindly bum, came by and told me father had made it two hours before his death so that I’d have some inheritance; and the old man might have had a key that worked it; I’m not sure; but there was something about a key.... [...]

[...] After though, Pat Norelli (I think it was her, though she didn’t look like Pat particularly) myself and two young men were climbing along a high ledge toward the top of the gigantic theater. [...]

The items were enclosed in one sealed envelope between two layers of lightproof bristol cardboard, and then the whole thing was placed in another envelope, which was also sealed. [...] (In any case, the test item was enclosed within the two pieces of cardboard and two envelopes, and was quite opaque.) Sometimes I held the envelope to my forehead while delivering impressions. [...]

[...] Peg was quite angry about this, since the same ride two years earlier had cost less than two dollars. [...]

As Seth varied the trance depths, I became aware of two lines of consciousness, his and my own, and to understand at least to some degree when my own personal associations were an aid and when they were a detriment. [...]

I started the autumn of 1965, then, with high hopes, particularly because of the two out-of-body episodes mentioned earlier in this chapter. [...]

(The Grand Opening exhibition will consist of a two-man show of sculpture by Harold Spaulding and Walter Buhr, two well-known Binghamton-area artists. [...] Harold Spaulding has exhibited at the Roberson Gallery in Binghamton, and has participated in a two-man show at Two Rivers Gallery in that city. [...]

[...] I hereby suggest that the three of you attend a session at least once every two weeks. [...] Later two may be sufficient. [...]

[...] You will be asked to give shows of your paintings by two people whom you should refuse; you will be asked to give shows by other people, whose invitations you should accept. [...]

[...] These artists will be welcome to arrange for one-and-two-man showings. [...]

[...] You have two separate studies of him. He has two children and lives in Nebraska, and oddly enough he is a house painter who also wanted to be an artist. [...]

[...] I was aware of none of it while making the two small oil sketches in September 1968. I now knew which two Seth referred to; strangely enough, I hadn’t thought of them as being of the same personality at all. [...]

[...] Zeno-mythlin (The mythlin is my phonetic version of the name Jane pronounced, somewhat haltingly.) That may be two names, perhaps with a hyphen. [...]

(“Which two studies are these?” I wanted to be sure.)

[...] Jane wrote at the time, then told me, that she almost felt “the book could be Personal Reality Number Two.” [...]

[...] Nor do I. Perhaps, even knowing Jane’s unique creative abilities as well as we do, we’re each somewhat daunted by the thought that consciously we might not be able to concentrate enough on two such projects at once. [...]

[...] A feeling this could be Personal Reality Number Two.

[...] Upon awakening, she told me that she remembered receiving hints about the new possible book in two dreams during the previous week. [...]

(2. There are clear connections between the “massive” portions of Jane’s latest psychic adventure and her first encounters with Seth Two in April, 1968; she goes into those experiences in some detail in Chapter Seventeen of The Seth Material. There is more on Seth Two in Chapter Twenty-two of Seth Speaks. [...]

[...] Here are the last two verses:

[...] I stood on two legs, making loud, hoarse and guttural noises of … exultation as I stood upon a great plain. [...]

(Those who are interested can check out the references in the next two paragraphs.