“Seth material” search engine (Jane Roberts)

[...] She spoke at an average rate of speed, with a few long pauses. [...]

(Jane now took a very long pause, rocking quietly with her eyes closed.)

(Pause at 9:00.) His intellect however leads him to ask questions that are basically (underlined) intuitive. [...]

(Pause at 9:27.) Give us a moment. [...]

[...] (Pause.) The ego can use the conscious mind almost entirely as a way of perceiving external or internal realities that coincide with its own beliefs. [...]

(Pause at 9:45, one of many. [...]

[...] Beginning of the next chapter (11), which will be entitled: “The Magical Approach (very long pause, eyes closed), and the Relationships Between ‘Conservation’ (very long pause) and Spontaneous Developments”—and give us a moment.

[...] I’ve indicated just a few of the many long pauses she used in trance.)

(Pause.) In a fashion dreams allow for a curious mixture of learning processes, while at the same time serving to introduce surprising developments. [...]

(Long pause at 9:13.) Again, it is very difficult to explain such activities. [...]

Rob asked the questions, then we paused while he wrote out the answers the pointer spelled. [...]

There was a pause. [...]

The pointer paused. [...]

[...] I paused and put my hands back on the pointer, thinking that I’d had enough of this speaking—or whatever it was—for one night.

[...] (Long pause.) I had some opinions, but I have decided to keep them myself (humorously and louder). [...]

If, however, you pause first and wait a moment, you can begin to glimpse the environment that serves as a stage: the natural landscape of the dream reality. [...]

(Long pause.) The properties of inner space, therefore, are endless. [...]

[...] (Long pause.) Future probabilities are worked out there also so that individually and en masse the species decides upon its probable future. [...]

(Pause at 10:52.) Give us a moment … Now (with a smile):

[...] Her pace included many pauses; they were short for the most part however and her pace was on the whole good. [...]

(Jane paused at 10:16, her eyes closed. [...]

(Jane paused and closed her eyes. [...]

(Pause at 9:12.) Chapter Four: “Your Imagination and Your Beliefs, and a Few Words About the Origin of Your Beliefs.”

[...] (Pause.) Your beliefs always change to some extent. [...]

(Pause at 11:23.) Quite deliberately you use your conscious mind playfully, creating a game as children do, in which for a time you completely ignore what seems to be in physical terms and “pretend” that what you really want is real.

(Long pause at 4:19.) In most cases, even the most severe illnesses or complicated living conditions and relationships are caused by an attempt to grow, develop or expand in the face of difficulties that appear to be unsurmountable to one degree or another.

[...] That is, the construction of your body and the construction of a world (pause) are produced with the greatest combination of order and spontaneity — an order and spontaneity that seems hidden rather than apparent (all intently).

(Long pause at 8:46.) It can appear as an emotional storm on the part of large numbers of people. [...]

(A one-minute pause at 9:15.) Give us a moment…. [...]

(Jane now took a very long pause. She had paused many times while speaking since last break.)

[...] Her eyes were often closed, and she took many long pauses. [...]

(Very long pause.) He should also realize that pleasure is indeed a virtue. [...]

[...] (Long pause, eyes closed; one minute.) Spatially, a painting is flat. [...] (Long pause.) The depths within the painting do not physically exist, yet they are perceived.

[...] (Pause, eyes closed.)

[...] (Pause.)

[...] As a result, many of the events of your lives that are the natural extensions of those feelings appear alien (pause), against your deepest wishes, or thrust upon you, either by outside agencies or by a mischievous subconscious.

(Long pause.) Discipline is a form of applied suffering, as discipline is usually used. [...]

[...] He instantly began to explore (pause), to categorize, to point out and to name the other creatures of the earth as they came to his attention.

(Long pause in a steady, rather fast delivery.) Man’s dream body is still with him, of course, but the physical body now obscures it. [...]

[...] (Pause.) There is more here that I am trying to get at. [...]

[...] (Pause.)

[...] (Pause, at 10:27.)

[...] (Pause.)

[...] (Long pause.)