“Seth material” search engine (Jane Roberts)

[...] This also has something to do with your feelings toward oils under certain conditions (underlined).

[...] Do not buy a house heated by oil. [...]

[...] To you wealth is in some strange way connected with the feeling you have had toward using oil as a medium.

[...] Now the eyes in the oil head I recently finished of the discarnate artist, Van Elver, seemed alive to her; the portrait hangs on a bookcase wall in our living room. [...]

[...] Oil on panel, 13 x 11 in.

[...] She had an impression of Midge in a robe, crawling on the floor near the oil stove in the living room. [...]

(Peggy pointed at a life-sized oil portrait of Jane that I had painted.

[...] Along with this Mr. Macdonnel will have on display some of his oils, watercolors, and graphics. [...]

[...] On July 16, Ned and Sue Watkins bought the oils of Charlie Painter, the dream hands, and Moses. [...]

[...] I was aware of none of it while making the two small oil sketches in September 1968. [...]

(The pastel drawing of Jane’s that I saw in my dream was so vivid that I still retain it clearly, and plan to do an oil painting of it soon. [...]

[...] I saw that the radiator was pulled away from the rest of the motor, that hoses and other connections dangled, and that the oil and water had drained away. [...]

(For what it is worth, earlier in the afternoon I had been wishing I had a model handy, for I felt like doing some quick sketches as a relief from the constant oil painting. [...]

[...] My best drawings, particularly in ink and oil, have been produced in this fashion, and I used to think it rather strange that I liked to work this way. [...]

[...] He had no conscious memories of the store’s interior, yet it was instantly apparent to him — the dark oiled floor, spread with sawdust. [...]

[...] Do not buy a house heated by oil. [...]

(Seth said the oil sketch I have begun of my vision, described in the notes for the 183rd session, is very good. [...]

(Howard bought a small tempera of mine picturing two apples; and then to Jane’s surprise he bought off the wall of our apartment a small abstract oil that Jane and I had produced jointly, in a humorous attempt at working together. [...]

[...] Oil on panel, 10 x 9⅜ in.

1. See the picture section in Prentice-Hall’s editions of The Seth Material for a cropped, black-and-white reproduction of my oil portrait of Seth, “in the form in which he chose to appear to Rob,” as Jane wrote in Chapter 8 of that book. [...]