“Seth material” search engine (Jane Roberts)

The first “object” was an almost unendurable mass, though it had no weight, and it exploded, instantaneously beginning processes that formed the universe—but no time was involved. [...]

In one area, that of money, Ruburt is fairly free, finally. You consider taxes as a symbol of the creator’s support of the mass world—that is, you feel forced to contribute to a world with which you do not agree. [...]

[...] Yet our mass reality obviously is large enough to allow me room to generate such fanatical thoughts….

We’ve presented lengthy quotations from Seth on his Framework 1 and Framework 2 material both in his Mass Events and in Jane’s God of Jane. His discussions on the subject are an excellent example of how a very creative idea, capable of helping many people, can arise from an attempt to deal with a personal situation—for on September 17, 1977, Seth introduced his Frameworks 1 and 2 concept in a private session designed to help Jane contend with her physical symptoms.

[...] That nucleus, according to its intensity, will attract to it certain masses of the entire energy patterns available to a given identity.

[...] This has all kinds of implications biologically as far as the species is concerned; you can perhaps understand, then, that there are also probable histories beneath your lives, individually and en masse.

[...] Within the system en masse, however, through their great and small organizational structures, the CU’s are aware of everything happening — not only on the top of the moment (gesturing), but within it in all of its probabilities.

[...] Now, you form the physical reality that you know, individually and en masse, and to change the world that you know you must change your thoughts and to change them you must become consciously aware of what you tell yourself is true every moment of the day for that is your reality, and that is what you project outward. [...]

[...] In your physical constructions of the television set then, you are aided generally by the current idea of television set, as it exists in mass knowledge.

[...] Particularly when I consider the “news” on the typical front page of the typical daily newspaper: All too accurately the “stories” of war, pollution, corruption, and poverty and crime show just how little we human beings know or understand ourselves at this time—and how far we have to go, individually and en masse. As the years have passed, I’ve come to trust more and more my own insights into our behavior as a species within the framework of a nature that I believe our kind has co-created with every other species on the planet (to confine my theme to just our immediate environment for the moment). [...]

Above the land masses

[...] There have been however a few periods in mankind’s history when this happened en masse. [...]

“I have told you that if you do not like the state of your world, it is yourselves that you must change, individually and en masse. [...]

The mass of valid projections are indeed made from the dreaming body. [...]

“Humanity dreams the same dream at once, and you have your mass world. [...]

[...] The business began to fail when batteries became mass produced, and the great depression finished it.)

7. Seth first discussed his blueprints for reality in Session 696 for Volume 1: “Each probability system has its own set of ‘blueprints,’ clearly defining its freedoms and boundaries, and setting forth the most favorable structures capable of fulfillment … As an individual you carry within you such a blueprint … The information is knit into the genes and chromosomes, but it exists apart … In the same fashion the species en masse holds within its vast inner mind such working plans or blueprints.”

[...] For one thing, I’m sure that my imagery — and drawings — of Jerusalem’s fortifications would turn out to be much too meager in scale; surely those “real” works would be far more overpowering in height and mass. [...]

[...] The mass of valid projections are made from the dreaming body. [...]

[...] Jane said it was difficult to describe, but she had the very definite impression, or feeling or image, within, of a large dark overhanging mass above her, as a roof might be, for instance. [...]

[...] If all of this goes on personally, as you choose one melody and call it yourself, then perhaps you can begin to see the mass creative aspects in terms of civilizations that seem to rise and fall.