“Seth material” search engine (Jane Roberts)

(“Good evening, Seth.”)

[...] I intended to add more to my remarks, but Seth broke in at 9:58.)

[...] Here, again, Seth refers to my remarks at break.)

(“Good night, Seth.”

[...] I hoped Seth would comment tonight.)

(“Good evening, Seth.”)

[...] In Chapter Nineteen of The Seth Material you gave a list of the inner senses. [...]

[...] Seth paused, so I asked, “Can she try it now?”)

(I asked Seth for his interpretation of my dream on Sunday morning, June 25, in which I was highly upset to see my father careening backward in a truck, down Pinnacle Road. A copy of Seth’s comments is attached to the dream.)

[...] Seth,”

[...] I also thought Seth’s description of the bodily changes taking place very good, and hopeful besides. [...]

(I had four questions for Seth. [...]

(“Good evening, Seth.”)

[...] As Seth, Jane nodded.

(“Thank you, Seth. [...]

[...] At the same time he thought himself liberal-minded, he repeatedly couched Seth’s ideas in the terms used by the respected, well-known members of his profession. He told us often that while he liked a good idea “no matter where it came from,” he wouldn’t use Seth’s name in conversations with others, but would try to work in Seth’s ideas under the guise of others’ works. [...]

[...] It fit in so well with the visit last Friday evening, concerning authority versus our interests, that I asked if Seth would comment on both the visit and that four-year-old session this evening.)

(10:22.) Now Seth came through with some material for Jane and me, including his interpretations — in his usual acute manner — of three of my recent dreams. [...]

(“Thank you, Seth. [...]

[...] Jane’s friend Dee Masters, who had once been director at the gallery where Jane works, and who has been dealt with by Seth at various times, was doing something at an agitator-type washing machine. [...]

[...] Meaning the Seth material, of course. [...]

(“Good evening, Seth.”)

[...] Our relationship with Dee Masters, mentioned by Seth in this session, is also dealt with briefly in the 59th session.)

(“Thank you, Seth. [...]

(“Good evening, Seth.” [...]

(“Good evening, Seth.”)

(“Good evening, Seth.”

(“Good evening, Seth.”)

[...] You can be surrounded by some noise (as Seth, Jane pointed to the ceiling; someone was moving into the apartment above us) or traffic, and feel its great synthesis with the vitality of life, and it can be conducive to peace. [...]

[...] Jane, as Seth, took but a moderate pause. [...]

[...] Seth proceeded to add half a page of material about some beliefs of Jane’s that we’d discussed this afternoon. [...]

(“Good evening, Seth.”)

(Here Seth refers to my own pendulum session of July 10, which is on file.)

(“Good night, Seth.”

(“Good afternoon, Seth.”)

(Note that Seth had referred to a dream Jane had had last night. [...]

(I’m intrigued by Seth’s rather mysterious closing phrase, above, about this season as it was established long before the time of Christianity. [...]

[...] I’ve been busy putting my own notes for Seth’s “Unknown” Reality in order, and have also allowed myself some painting time each day. [...]

(“Good evening, Seth.”)

[...] Seth now delivered several pages of material on other subjects for Jane and me. [...]

[...] But I found it at least roughly reminiscent of Seth’s idea of simultaneous time to watch the color broadcasts from different areas of the world each day, and then to mentally hold all of those actions, especially the backgrounds, in mind at once, visualizing them as simultaneous happenings at different places on the planet.

[...] But she changed her mind, obviously; then at 9:25 she told me she knew what Seth was going to talk about: “The horizontal consciousness.”)

(“Good evening, Seth.”)

(Seth then closed out the session at 10:31 PM.)

(This is our first session since last Monday, December 7. It will be remembered that Seth gave us a brief rest, eliminating last Wednesday’s session.

(“Good evening, Seth.”)

(“Good night, Seth.”

[...] Seth has said that in such instances the sensation implies my sensing his presence, if only subconsciously.)

[...] Jane thought Seth intended that she begin the session sitting down; instead she got up, and we think it reasonable that as compensation Seth introduced the nearly-closed-eye experiment.

(“Good evening, Seth.”)

(Jane said she had the idea that Seth got her to sit down by letting her smoke. [...]

(“Good evening, Seth.”)

[...] I followed Seth’s suggestion. [...]

[...] “I was still Seth at break, but I could tell when you got up and moved around, across the light, even with my eyes closed… Everything now is fading away as I talk to you. [...]

(As we talked Jane said she got something additional from Seth—to the fact that my first cousin, Ruth Butts, was a masculine personality. [...]