“Seth material” search engine (Jane Roberts)

[...] He has been painting lately, quite happily anticipating the next painting period, yet at the same time worried that he is not writing instead; or when he does write on Seven, he does so because he thinks he should. [...]

Pleasant relaxation is the key, as opposed to a retreating, drugged-like mood, or an overly tense, overly conscious worry, as to the degree of his improvement. [...]

[...] Some of these occasions occurred fairly early in our sessions, when Ruburt was worried about spontaneous trances, so after making my presence known to him, I acquiesced to his decision at the time. [...]

1. A note added four months later: Jane needn’t have worried. [...]

[...] It was difficult for her to snap loose, though at no time did she exhibit any worry or concern. [...]

[...] A man who believes his actions have no value seeks out situations in which he uses his power to act, yet often without worrying about whether the action will have a constructive or negative effect.

[...] —worries Jane has fretted over for years. [...]

[...] The night before he worries, and often consciously, that he will not be in good condition, and imaginatively then as a result, sees himself in poor condition. [...]

(Humorously:) I am not done with you yet, but I do not want him (Carl) to feel left out over here, and while you are recovering I will speak to him: for you were also in your own isolated universe, and if hers had fears in it, then yours was a valley of desolation in which your emotions were like unruly animals galloping around in there; and you were so frightened and worried about your own worth that you could not consider hers, and you were so insecure that her sensing insecurity, when you were aware of it, drove you to anger.

He worried about the effect of such expressed feeling on you, and both of you intellectualized, as is often your wont. [...]

[...] As soon as I feel like I might be able to forget about my body, my breathing, I stop breathing, and then I worry about it.”)

[...] [See the appropriate note at 10:34 in the 694th session.] Then, as we ate, Jane had asked me once again if “Unknown” Reality had any organization — or purpose: “Where’s Seth going with it?” I suggested she forget such worries and let the work come out in its own way, explaining that portions of these notes were concerned with recording the circumstances surrounding just that procedure.

[...] You do not need to worry about hurting your friends or neighbors, who will understand quite well. [...]

[...] It certainly should be obvious to Ruburt now that his personality contains some quite conservative aspects—a marriage going into two decades and more does not exactly make one worry about promiscuity. [...]

[...] I tried not to be frightened and told myself that the intuitive self sensed something exciting going on, even if the ego was worried. [...]

[...] Apparently this worried me, for I ran to my body for protection. [...]

[...] You have been worried about and afraid of the feminine aspects of your personality. [...]

[...] Now the joy that you experience when you are painting will be yours, and not desert you whether you stay in your house or go to someone else’s. You will not have to worry about “carting it along” with you. [...]

[...] You do not worry about the child’s development, for you realize that he will learn better.

I have watched with some amusement the proceedings of the last few days, as Ruburt involved himself with his contract, hemmed and hawed, worried it and clucked.

[...] I also knew I was working out some conflicts, and I wasn’t worried. [...]

[...] Play could also be used even in old peoples’ homes, for it could revive feelings of spontaneity and give the conscious mind a rest from worrying.