“Seth material” search engine (Jane Roberts)

[...] In so doing you will enhance not only yourself and your society, but the world at large. [...]

[...] He isolates himself from that responsibility by imagining the existence of other forces—the devils or demons of the nether world.

[...] I do not want Ruburt to try too hard, but I do want to explain the characteristics of Framework 2 as they interwork with your world.

[...] He became pursued by time, so that in his world there literally was no time for anything else.

[...] To this extent they shape your conceptions of the world that you know.

[...] You make your world, and in an important manner your thoughts are indeed the immediate personal blueprints for it. [...]

[...] In those terms your thoughts mix and match with others in Framework 2, creating mass patterns that form the overall psychological basis behind world events. [...]

[...] Ruburt is certainly not considered conservative, and yet a need for safety and security certainly added an overly heavy hand in his approach to life—particularly of course where the world was involved.

[...] I’m in my physical body now, yet somehow the physical world around me is incomplete with enormous pieces missing. [...] It was as though the world outside of the immediate focus of my eyes was only half-formed; the rest, grayish and swirling.

She told Ruburt that she felt herself to be an inferior person, unable to cope, an individual who was not able to hold her own with her co-workers or the world at large.

[...] Your ideas of good and evil affect not only your behavior with others, but your activity in a community and in the world at large.

[...] I’ve read that mathematical prodigies are in love with their numbers, and rely upon their dependability in an often unsure world. [...]

Now: there is nothing particularly wrong about you expressing your disapproval of the world, or whatever.

[...] Such a context would allow you to share in life experiences of many other forms, to follow patterns of energy and emotion of which you barely conceive, and to sense a world-consciousness in which you have your own independent part.

[...] The sunny nature [of that house], regardless of what Ruburt thinks now, will help him creatively and physically — but the hill house represents a decision to face the world while maintaining certain necessary and quite reasonable conditions. [...]

[...] All of this material about the strange underwater world was new to both of us, and Jane felt particularly good about having it verified so enthusiastically by Bill. [...]

[...] Pretend then that you possessed within yourself the knowledge, the sight, of all the world’s masterpieces in sculpture and art, that they throbbed and pulsed as realities within you, but that you had no physical apparatus, no knowledge of how to achieve it; that there was neither rock, nor pigment, nor source of any of these, and you ached with the yearning to produce them—and this, on an infinitesimally small scale, will perhaps give you, as an artist, some idea of the agony and the impetus that was felt.

There will be a chapter on the religions of the world, on the distortions and truths within them; the three Christs; and some data concerning a lost religion, belonging to a people of which you have no information. [...]

[...] The particular poem or idea is the only thing in the world for me at that point. [...]

[...] But it seemed that all the color had drained away from the world. [...] For that matter, so did the rest of the world. [...]

[...] (Pause.) Such a change in your waking and sleeping patterns very nicely helps cut through your habitual ways of looking at the nature of your own personal world, and so alters your conception of reality in general.