“Seth material” search engine (Jane Roberts)

[...] This is how dreams work, you may think. [...]

[...] You do not work as hard. [...]

[...] She has been working long hours on her book for Prentice-Hall, The Seth Material, and has but a couple of chapters to rewrite. [...]

[...] It was the spontaneous self who kicked up the fuss this afternoon, thinking: hurry, hurry, hurry, see things my way (when Jane tried to work on the dream book, unsuccessfully).

[...] The unrealized physical connections that might have occurred, but did not, are worked out in other layers of reality.

[...] Men went to sleep to do their work, in other words, and the realm of dreams was considered more real than waking reality. [...]

On this plane you must work within certain limits. [...]

[...] I was at work during this period and couldn’t help. [...]

[...] Ann Diebler, whom I work with, lives in Wellsburg; she has witnessed a few unscheduled sessions. [...]

It must work according to its ability to do this. [...]

[...] I was facing two men in work clothes; one of them was dark and I believe unshaven. [...]

[...] I have been against the deep trance for this reason, in that I prefer to work with you in such a manner that you are able to use this knowledge consciously, and also feel that you have a part in its delivery.

[...] My second self answered a question I had asked: “Why certainly, don’t you see how it works by now?” or words to that effect. [...]

[...] It’s like there’s a tremendous amount of work being done behind the sessions, so I can get the data — but this isn’t like the channels from Seth [as described in the 616th session in Chapter 2 of Personal Reality].”

As part of the work on this book, Ruburt is just beginning to experiment with the conscious recognition of probable material, and the conscious acceptance of kinds of experience usually tabooed according to the selectivity already mentioned.

We have to work this way with our friend Ruburt, though he is indeed improving. [...]

[...] You in no way affected the developments within the action; nor were they predestined, but worked out by the characters involved.

You have more free will than you imagine, for you have not only your present personality with which to work.

[...] You, on the other hand, must work with the time version of events. [...]

[...] As soon as Seth mentioned her feelings of inferiority at the beginning of the session, it was all downhill for me; I thought we’d done a reasonable job on encountering those with our pendulum work, but it seemed that they were still as present and active as ever. [...]

[...] You should imagine yourself in your studio, working, as you fall to sleep. [...]

Mental activity does demand more energy of one kind than does physical activity, and the reason here is a rather strange one, in that in many respects creative work demands the extra energy used in a sort of repression. [...]

[...] He also brought two questions, one personal and the other very technical, from people he works with at Corning Glass.

[...] The entity, for example, works with the same sort of individual cooperation, and uses building blocks of energy in much the same manner, that the atoms and molecules in the physical world combine to form cells, organs, and the whole structure of the physical body.

[...] You prefer to identify with the part of you who watches television or cooks or works — the part you think knows what it is doing. [...]

(Jane hadn’t operated well yesterday.¹ She did tell me that she was somewhat surprised to realize Seth might be closer to completing his work on Dreams than she’d thought he was. [...]

This will involve as much work as we have already done on the nature of matter, and will involve us further in that discussion. [...]