“Seth material” search engine (Jane Roberts)

(9:35.) It is not natural, then, for men to fight over women. [...]

[...] There would be none between men or between women either, for they would be in a constant state of battle against each other.

(Both of us were very glad to have Seth deliver this material on sex, as we’ve received many letters from men and women who were confused about their sexual identities, and often overwhelmed by feelings of guilt because of an orientation toward lesbianism or homosexuality.)

(Pat could offer no confirmation concerning H B. Pat also said that two women were in her honors class when she played the tape; one of these being a Radcliffe student teacher. [...] This makes a total of three women and one male who have heard the tapes besides Pat, whereas Seth names two men and a woman.

[...] Women had no part to play. [...]

[...] Partially it was the belief that women were more vulnerable, and the social conditions—Darwinian and Freudian concepts—that led him to accept that position, and all the material I have given fits in here. [...]

In that life women were expected to be decorative, and most of all compliant, so in his relationship to you, when Ruburt felt decorative or compliant, he felt you would have no use for him. [...]

[...] People of solitary nature born in medieval times had to make their own structures, and if they were not hermits or monks, they were outlaws of one kind or another, frequenting the woods, which were often full of semi-permanent but isolated communities—men and women who preyed upon travelers, for example.

[...] She felt that men were superior to women.

[...] Marie had always encouraged her poetry, and the two women shared it for a number of years. [...]

[...] She realized today, while talking, that her grandfather had no love for women either. [...]

[...] In a world in which women are considered passive and the trance largely feminine, you feel that the performance of a session could be too easily misread. [...]

(Pause.) Two women perhaps and a man. One of the women in the background. [...]

[...] “Two women perhaps and a man. [...] As stated on page 6, three people, two women and a man, were involved in the circumstances surrounding the creation of the poem used as object, on the evening of July 3,1966: Jane, Barbara and Dick. [...]

[...] Dick replied there was no reason he should, since he now sat with “two fine women,” both of them good looking; or words to that effect.

He could not express his love for her in the terms she wished for he believed that women would, if allowed to, destroy the man’s freedom, and he interpreted the natural need for love as an unfortunate emotional demand. Both of them believed that women were inferior, and quite unknowingly they followed a Freudian dogma.

[...] The experience seemed to last all night gradually deepening in intensity, without overt dramatic story line — there was material on the Mafia in its relationship to family and particularly in connection with women—this seemed to be the focus point. [...]

(“Two men and two women.” [...] Two men and two women were involved in the meeting referred to earlier: Jane’s father Del and myself, and Jane and Del’s wife. [...]

Two men and two women.

[...] After explaining how a couple of women (among others) had recently claimed that he had been in contact with them, Seth stated: “Now, I did not communicate with those women—but their belief in me helped each of them use certain abilities.”

(Long pause at 4:06.) It is sometimes fashionable to say that men and women have conscious minds, subconscious minds, and unconscious minds — but there is no such thing as an unconscious mind. [...]

In the third sequence, I was having a long discussion with the white woman of the first episode, and there were a group of other women present.

We met at lunch in the teachers’ room where we ate with a group of women, including one lovely, black girl who was particularly intelligent. [...]

[...] In the dream the women hang out clothes in the yard … and Anna showed me the children’s closet at school, commenting on clothes. [...]

[...] I notice a few elderly women sitting on the park benches. [...]

[...] For if I am speaking through the body of a woman, so have the three men here present spoken through the bodies of women when those bodies were their own, and the women spoke as men. [...]

[...] Young women always frighten me, but you do not see me quaking in terror. [...]

[...] But many men and women are indeed starving. [...]

[...] What the three women didn’t know at the time was that the three of us were helping nature out a little, making the free end of the table rise by conscious physical pressure from our hands.

[...] In between the three women tried to do the same thing, and failed. [...]

(When Bill, Don and I tipped the table deliberately and were not detected doing so, we certainly got an amazed reaction from the three women. [...]

(“Maze”, meaning puzzlement, can also apply here, for when the three women tried tipping the table they did not succeed. [...]

Women make a grave error when they try to prove their “equality” with men by showing that they can enter the armed forces, or go into combat as well as any man (with more amusement). [...] Women have shown uncommon good sense in not going to war, and uncommon bad sense by sending their sons and lovers to war. [...]

[...] Ordinarily you seldom paint women, feeling that in such paintings emotions would be too blatantly displayed. You may have to watch a tendency to masculinize your women if you seriously begin to do such work, for you may feel, again, that harsher lines are necessary to hold the emotional element in check.

There is no particular reason why you should do women unless you want to. [...]

Naturally, left alone, men and women would cry without embarrassment, for crying would have no connotations of defeat, any more than the sky is embarrassed when it rains. [...]

[...] If in one life, for example, you hated women, you may very well be a woman in the next life. Only in this way, you see, would you be able to relate to the experience of womanhood, and then as a woman face those attitudes that you yourself had against women in the past.

[...] She really did dislike women when she was younger. [...] Also thought women disliked her — feared that she was after their men, and all kinds of things.

[...] There is an H—Helena comes to mind, but it is probable that this Helena is merely connected to one of the women present.

One man you will like far less than the others gathered, but he will be with you nevertheless, and much more loyal than one of the women, who will impress you far more. [...]